Butterfly, directed by Matt Cimber, is a drama set in rural America,  that delves into the complex and often taboo subject of sexuality. The film introduces audiences to Pia Zadora, in the title role. Her character, a seductive young woman, arrives in a small town seeking her estranged father, Jess Tyler, played by Stacy Keach.

As the narrative unfolds, it becomes evident that Butterfly’s intentions are not solely familial.  She enthusiastically engages in a provocative relationship with her father, pushing the boundaries of conventional morality within the community. Oscillating between moments of tension, passion, and introspection, the film Butterfly underscores the destructive potential of repressed desires and societal taboos.

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Butterfly’s uninhibited demeanor and challenge of societal norms make her a quintessential representation of the era’s evolving sexual landscape. However, it is essential to note that the film also portrays Butterfly’s sexuality as a source of controversy and conflict, highlighting the underlying tensions and anxieties that accompanied the era’s changing morals.

Conversely, Jess Tyler’s character  embodies the conservative attitudes which sought to uphold traditional notions of sexuality and morality. His internal struggle between desire and societal expectation, underscored a conflict that resonated with many during the era. This conservative attitude is shared by his community who represent the moral consequence of succumbing to his temptations.

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In contrast to the era’s dominant attitudes towards sexuality, the film “Butterfly” offers a nuanced portrayal that neither wholly condemns nor glorifies the characters’ actions and desires. This film is particularly meaningful given that it’s subject remains taboo today, while all other sexual liberties are promoted on the cultural level, even in schools.  As such, the film invites viewers to engage in a critical dialogue about the complexities of human sexuality and the societal constructs that seek to regulate and define it.

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Exploits of a Young Don Juan is based on the french novella by Guillaume Apollinaire. The Franco-Italian collaborative film was directed by Gianfranco Mingozzi.  A period drama-comedy set around WW1, the movie follows the coming-of-age journey of Roger (Fabrice Josso), an adolescent sent to live with his aunt and uncle in the French countryside. As he struggles with his raging hormones, Roger explores his awakened desires at every possible opportunity.

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The central theme is Roger’s sexual appetite. He finds himself the only male of considerable age, surrounded by buxom women. Lonely women, whose men are off fighting in the war.  The complexities of Roger’s situation are exasperated with his attraction to his Aunt. Set against the idyllic countryside, Roger’s inner turmoil is thusly juxtaposed.

The film “Exploits of a Young Don Juan” is alternatively titled “What every Frenchwoman Wants”.  But the actress who graced the movie posters was none other than Italian pin-up favorite Serena Grandi. The Italian title translates into “the initiation”, which seems to be a multifaceted catch-phrase for Roger’s journey into adulthood, especially considering 3 of his lovers become pregnant. But whatever you call it, this movie encapsulates the coming of age fantasies of every hot-blooded, heterosexual male.  (Not to be confused with modern-day woke propaganda, nor appreciated by it’s adherents).

Erotica a little harder

Themes of desire, innocence, and the societal norms of the 20th century that shaped our understanding of sexuality are all touched upon in “Exploits of a Young Don Juan”.  The film uses actors that are over 18, but it isn’t afraid to explore the realities of adolescent desires and virility.  This raw exposure of human sexuality, is beautiful yet brings to mind the old adage, “All is fair in love and war”; thereby inviting reflection and discussion.

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