THX 1138, was George Lucas’s 1971 debut feature film.  A pioneering work in the science fiction genre, offering a profound commentary on individuality, control, and the dehumanizing effects of a technologically advanced society. Set in a sterile, dystopian future, the film explores the consequences of a society that prioritizes order and conformity over human emotion and freedom.

Robert Duvall plays THX 1138, a citizen in a futuristic, enclosed society where emotions are suppressed through the mandatory use of drugs. The inhabitants, devoid of names, are identified by alphanumeric codes, reflecting a system that reduces individuals to mere numbers. Everything is assigned and monitored in this existence, from occupations to cohabitants, nothing is left to chance or personal preference. THX skips taking his medications and feels a growing sense of dissatisfaction and rebellion against the oppressive regime that governs his life. His relationship with LUH 3417 (Maggie McOmie) ignites a spark of emotion and desire, driving him to question the societal norms that bind him.

Watching the sterile environment in THX 1138, with it’s stark white walls, narrow corridors, closed minimalist living spaces, cold lighting and bleak clothing, the viewer can sense the characters’ emotional desolation. Exploring the themes of control and resistance, this film vividly illustrates the consequences of a society stripped of personal freedoms, where surveillance and regulation dictate every aspect of life. This aesthetic choice amplifies the film’s critique of a future dominated by technology and bureaucracy.

One of the film’s most poignant themes is the struggle for individuality. THX’s journey represents a quest for self-identity in a world that denies him the right to feel. The initial suppression of his emotions leads to a transformative awakening when he begins to experience love and desire. This evolution underscores the importance of human connection and the inherent need for emotional expression. THX’s rebellion against the system ultimately becomes a testament to the resilience of the human spirit.

*THX 1138* also serves as a cautionary tale regarding the unchecked advancement of technology. The film presents a society where automation and surveillance have reached disturbing heights, reducing human beings to mere cogs in a machine. The omnipresent droid police force, depicted as faceless, reflects the fear of a future where individual rights are subordinated to state control. Lucas’s vision resonates with contemporary concerns about privacy, data surveillance, and the ethical implications of technological progress. As AI is infiltrating so much in this modern world, now more than ever we should embrace our humanity and individuality and oppose the overwhelming push for conformity. Lucas’s film invites us to reflect on the delicate balance between progress and personal freedom, urging us to cherish the emotional connections that define our existence.

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Wizards is the work of the great animator and story teller Ralph Bakshi. (He did the animated version of the Lord of the Rings). Like his other cartoons, the intended audience for Wizards is not children. Just take one look at the voluptuous fairy folk or consider the violent themes and you will understand why. Set in a post-apocalyptic world this is the story of good versus evil; magic, love and devotion versus technology , greed and servitude. It’s a dark story, with fantasy characters, but it’s purpose is to show humanity’s pitfalls and how despite repeating the same mistakes over and over, their is always hope.

A combination of Mad Max and Lord of the Rings

Wizards is focused on twin brothers, as opposite in nature as night and day, both capable of great feats of magic. The dark wizard is cruel and alone in his psychotic existence, he uses old tech to attract an army of warriors, who are less than loyal without the proper motivation. The good Wizard has a community that respects him. But watching it I couldn’t help but see the peace and love hippy guru archetype versus the greedy capitalist, who must own and control everything. Of course not all capitalists want world domination and not all peace lovers are unproductive dreamers…but these archetypes frame Bakshi’s concept of good and evil.

Take a peek at Woo Who Vintage

It is often said that magic is simply what science cannot yet explain. In Wizards, science based technology IS dark magic. But where these forces of light and dark are furthest apart is in their adherent’s loyalty. Loyalty born out of love is undaunted, while allegiance born out of fear or greed is fleeting. The evil Wizard Blackwolf has a constant problem keeping his soldiers motivated, so he uses his technology to make himself robots. Perhaps it’s in seeking the perfection of God like power, that one invite’s his creation to become cogniscient and eventually choose its own path. Either way, one of Blackwolf’s robots renames himself Peace, and joins the forces of the good wizard Avatar to help stop the never ending war-machine.

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