Amerika, the mini series was created during the Cold War. Back when the USA was run by Republicans and the enemy was the communist Soviet Union.  Given the real life fast pace of living in America and keeping up with the Jones, it is no wonder that most people found the slow pace of the mini series too boring to sit through. Maybe in the era of binge watching programs Amerika will find it’s true audience, and the message of the communist victory without casualties will be a wake up call. Otherwise we might be in for a modern day version of Donald Wrye’s dystopian future.

The series unfolds in an alternate reality, in which the Soviet Union never collapsed. Worse, after a successful economic war and propaganda campaign, it is given control over the administration of the United States by the UNited Nations.  The story centers on the lives of American citizens under Soviet rule. The themes of resistance, collaboration, and the erosion of democratic freedoms are key to the narrative. At the heart of the story is the struggle of a Nebraska family, particularly that of Marion (played by Kris Kristofferson), a farmer who becomes a reluctant collaborator, and his daughter, Jackie (portrayed by Mariel Hemingway), who joins the underground resistance movement.

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The reception of *Amerika* was complex and varied and complex. On one hand, it garnered strong viewership numbers, drawing millions of viewers each night during its broadcast. The series sparked heated discussions across the United States, with some praising its thought-provoking premise and others criticizing it for potentially stoking fear and paranoia about Soviet intentions.  One reviewer balked that the loss of running water was unrealistic, but as we look around today at the consequences of failing infrastructures and their widespread destructive consequences. It isn’t difficult to speculate that some areas could indeed easily be without a reliable water source. Hell, we even have laws against collecting rain water, what’s to stop the powers that be from simply shutting off the mains?

The controversy of Amerika was in no small part due to the reality of the military might of the USA in the eighties. As evidenced by the eventual collapse of the Soviet Union. To be pertinent today, we should simplify the threat as the US, falling to communism. The US of today is a far cry from the US of yesterday. Both our educational institutes and military organizations appear to be more obsessed with gender politics than producing the brightest and strongest on the world stage. So maybe we are already in a dystopian reality and this mini-series needs to be watched for it’s message in political resilience.

*Amerika* stands as a testament to the power of television to provoke thought and discussion about complex political and social issues. The series does elude to the us versus them reality of communist rule.  While everyone now seems to fear “threats to democracy”, they simultaneously overlook the divisionary effect this has on the populace. How their hatred takes attention away from the elites who are actually orchestrating the mistrust.   The series challenges viewers to confront their fears and beliefs about democracy, freedom, and the global balance of power. Whether viewed as a cautionary tale or a speculative fiction, *Amerika* remains a compelling exploration of what might have been, offering insights into both the past and the present-day concerns about authoritarianism and political resilience.

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“The Gods Must Be Crazy,”  is Jamie Uvs, 1980 cinematic treasure that explores culture clash through humor.  The film explores the collision of two worlds—the traditional, harmonious life of the San people and the chaotic, technologically driven modern world. The vast and serene natural landscapes of the Kalahari desert are contrast against the chaotic man-made city.

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Examining the consequences of modernity on indigenous cultures, the movie revolves around the arrival of a Coca-Cola bottle dropped from an airplane, which disrupts the serene existence of the San tribe. The bottle, initially seen as a gift from the gods, soon becomes a source of conflict and chaos among the tribe members. The film uses this simple yet powerful premise to delve into complex themes of cultural clash and societal values.

One of the film’s strengths lies in its ability to navigate between humor and poignant social commentary. The comedic elements, often slapstick and exaggerated, serve as a vehicle to highlight the absurdities of modern society from the perspective of the San people. The juxtaposition of the simple, communal life of the tribe with the complexity and superficiality of the modern world provides a satirical lens through which the audience can reflect on their own societal norms.

The character of Xi, portrayed by the exceptional N!xau, becomes the unwitting protagonist in this cultural collision. His journey to dispose of the troublesome Coca-Cola bottle takes him on an unexpected adventure, bringing him into contact with characters from different walks of life. The film subtly comments on the folly of technological progress, and the impact of materialism,through Xi’s interactions. In doing so, it highlights the importance of simplicity and community.

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“The Gods Must Be Crazy” is more than just a comedy; it is a thought-provoking exploration of cultural clashes and the consequences of modernity. As society makes it’s next technological leap embracing AI, one is left wondering what culture clash will modernity bring us next. How will it look? Will it be the city dweller who wanders into the wilderness and is bewildered and helpless without his gadgets and technologically fed instructions?

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Butterfly, directed by Matt Cimber, is a drama set in rural America,  that delves into the complex and often taboo subject of sexuality. The film introduces audiences to Pia Zadora, in the title role. Her character, a seductive young woman, arrives in a small town seeking her estranged father, Jess Tyler, played by Stacy Keach.

As the narrative unfolds, it becomes evident that Butterfly’s intentions are not solely familial.  She enthusiastically engages in a provocative relationship with her father, pushing the boundaries of conventional morality within the community. Oscillating between moments of tension, passion, and introspection, the film Butterfly underscores the destructive potential of repressed desires and societal taboos.

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Butterfly’s uninhibited demeanor and challenge of societal norms make her a quintessential representation of the era’s evolving sexual landscape. However, it is essential to note that the film also portrays Butterfly’s sexuality as a source of controversy and conflict, highlighting the underlying tensions and anxieties that accompanied the era’s changing morals.

Conversely, Jess Tyler’s character  embodies the conservative attitudes which sought to uphold traditional notions of sexuality and morality. His internal struggle between desire and societal expectation, underscored a conflict that resonated with many during the era. This conservative attitude is shared by his community who represent the moral consequence of succumbing to his temptations.

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In contrast to the era’s dominant attitudes towards sexuality, the film “Butterfly” offers a nuanced portrayal that neither wholly condemns nor glorifies the characters’ actions and desires. This film is particularly meaningful given that it’s subject remains taboo today, while all other sexual liberties are promoted on the cultural level, even in schools.  As such, the film invites viewers to engage in a critical dialogue about the complexities of human sexuality and the societal constructs that seek to regulate and define it.

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E.T the Extra-Terrestrial was a smash hit which took the world by storm.   A family movie about an alien encounter that painted the alien in the same light we try to paint ourselves as galactic explorers, both in real life missions and in our sci-fi fantasy genres.  Steven Spielberg set his 1982 classic on the contemporary suburban backdrop in a single parent family, giving a sense of realism to the audience and leaving an indelible mark on pop culture. The enduring legacy transcends the boundaries of age, nationality, and time.

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At its core, “E.T.” is a story about connection, belonging, and the universal human experience of longing for understanding and acceptance. The film follows Elliott, a middle child, grappling with the absence of his father and the complexities of childhood, as he discovers and befriends an extraterrestrial stranded on Earth. Their bond transcends language barriers and physical differences, illustrating the innate human capacity for empathy and compassion. The film’s portrayal of Elliott’s family, particularly his relationship with his siblings and mother, offers a nuanced exploration of the complexities of familial bonds and the challenges of navigating adolescence.

But the magic of the movie is its ability to evoke a sense of wonder and imagination, capturing the essence of childhood curiosity and the limitless possibilities of the unknown. Spielberg masterfully crafts a narrative that balances moments of exhilarating adventure with poignant reflections on identity, home, and the intricacies of human emotion. The iconic image of Elliott and E.T. flying across the moon encapsulates the film’s magical realism, blending the fantastical with the deeply human.  The film’s portrayal of alien life and extraterrestrial encounters has shaped contemporary perceptions of outer space, fostering a sense of curiosity and exploration that resonates in scientific endeavors and space exploration initiatives. Moreover, “E.T. the Extra-Terrestrial” has inspired countless works of art, literature, and film, serving as a touchstone for narratives exploring themes of alienation, friendship, and the quest for belonging.

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Take this opportunity to re-experience some of that magic, share “E.T. the Extra-Terrestrial” with your extended family.  Relive some nostalgia, with bmx bikes and kids playing in the streets unattended. Talk about the familial bond that sees the children pulling together so that E.T. can phone home on Halloween.  Spielberg’s visionary direction, coupled with outstanding performances and a poignant narrative, offer timeless lessons on the human condition.  This universal appeal, cements “E.T.” as a cultural phenomenon that continues to inspire and resonate with audiences across the globe.

xx

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Exploits of a Young Don Juan is based on the french novella by Guillaume Apollinaire. The Franco-Italian collaborative film was directed by Gianfranco Mingozzi.  A period drama-comedy set around WW1, the movie follows the coming-of-age journey of Roger (Fabrice Josso), an adolescent sent to live with his aunt and uncle in the French countryside. As he struggles with his raging hormones, Roger explores his awakened desires at every possible opportunity.

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The central theme is Roger’s sexual appetite. He finds himself the only male of considerable age, surrounded by buxom women. Lonely women, whose men are off fighting in the war.  The complexities of Roger’s situation are exasperated with his attraction to his Aunt. Set against the idyllic countryside, Roger’s inner turmoil is thusly juxtaposed.

The film “Exploits of a Young Don Juan” is alternatively titled “What every Frenchwoman Wants”.  But the actress who graced the movie posters was none other than Italian pin-up favorite Serena Grandi. The Italian title translates into “the initiation”, which seems to be a multifaceted catch-phrase for Roger’s journey into adulthood, especially considering 3 of his lovers become pregnant. But whatever you call it, this movie encapsulates the coming of age fantasies of every hot-blooded, heterosexual male.  (Not to be confused with modern-day woke propaganda, nor appreciated by it’s adherents).

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Themes of desire, innocence, and the societal norms of the 20th century that shaped our understanding of sexuality are all touched upon in “Exploits of a Young Don Juan”.  The film uses actors that are over 18, but it isn’t afraid to explore the realities of adolescent desires and virility.  This raw exposure of human sexuality, is beautiful yet brings to mind the old adage, “All is fair in love and war”; thereby inviting reflection and discussion.

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Somewhere in Time was released in 1980 and directed by Jeannot Szwarc.  A captivating romantic drama that weaves together the themes of love, destiny, and the enigmatic nature of time. Set in the beautiful backdrop of Mackinac Island, and it’s Grand Hotel, the film was based on the novel, Bid Time Return, by Richard Matheson.

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The story begins in 1972 when young playwright, Richard Collier (played by Christopher Reeve), is handed a gift by an old woman at his college play’s after-party.  The Edwardian dressed woman, looks like someone out of a play herself, and taking his hand in hers, she says “Come back to me”, then turns and walks away. Richard is awestruck by the gold pocket-watch she had placed into his hand.  Years later, having achieved success and almost forgotten the incident, he vacations at the Grand Hotel and is completely infatuated with the photo of an actress Elise McKenna (portrayed by Jane Seymore) from 1912.

The infatuation becomes an obsession. He tracks down any and all information that he can find on the actress. Eventually seeing a photo that identifies the old woman with his pocket-watch as the same Edwardian actress.  He returns to the Grand Hotel, where Elise’s photograph had first captivated him. Here he finds out details about the past, that push him to embark on a temporal adventure. Already madly in love, Richard travels to the past, to meet Elise.  She in turn, must fall in love with him. Their connection transcends the boundaries of time, raising questions about the power of love to overcome temporal limitations, and reality itself.

In addition to its philosophical themes, this classic movie captivates audiences with its visual and auditory aesthetics. Meticulous attention to detail in costume and set design skillfully depicts the contrasting eras of the early 20th century and the late 1970s. John Barry’s enchanting musical score adds to the film’s ethereal atmosphere, evoking a sense of longing and nostalgia that complements the narrative. Beyond the time paradox, it also delves into the notion of time as a social construct. Richard’s journey prompts the audience to reflect on the subjective nature of time and how it is influenced by our perceptions and emotions. Through Richard’s deep longing for Elise, time becomes a malleable entity that transcends conventional understanding. The film encourages viewers to ponder whether time is an objective reality or merely a construct influenced by our collective beliefs and experiences.

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As the story reaches its climax, it embraces a bittersweet conclusion that blends heartache and transcendence. The film poses profound questions about the nature of love, the power of human connection, and the limits of our understanding of time. Through its captivating performances, mesmerizing visuals, and thought-provoking themes,  One of my all time favorite films, this time travel movie is not determined to change the past, but merely to experience it, and perhaps that is the secret to the fluidity of time.

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Airplane! was written by Jim Abrahams, and the Zucker brothers, David and Jerry, this was also their directorial debut. The film is a parody of the Air Travel disaster movie genre which dominated the silver screens in the 70s. “Airplane!” is a mockery of those films, filled with irreverent humor, it offers a satirical take on the conventions of the genre.

The Zucker, Abrahams and Zucker trio (ZAZ) were seasoned comedy writers for stage, with a knack for incorporating pop culture into their skits. Needless to say, one of the strengths of the film is its writing. The script was filled with witty one-liners, absurdist humor, and clever references to other films and pop culture. The tightly written script wasted no time on filler, with a relentless comedic pace. The humor of “Airplane!” is both broad and subtle, appealing to a wide range of audiences and making it a timeless classic. Although some would argue that it is too low brow or contains too much physical humor. The film’s comedic pace actually means that some of the more subtle aspects might be missed at first watch.

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Another standout aspect of “Airplane!” is its all-star cast. ZAZ insisted on a handful of actors known only for their serious tough guy roles prior to this movie. Leslie Nielsen in particular rekindled an interest in the “straight-man” comedian. He became known for his deadpan delivery in absurd comedic situations in multiple films following Airplane. Equally Robert Hays, and Julie Hagerty give standout performances, delivering their lines with deadpan precision and bringing the film’s humor to life.

The film’s production design also contributed to it’s comedic appeal, with its lush, over-the-top sets and visual gags. From the brightly-lit control tower to the sumptuous first-class cabin, the film was just as filled with sight gags as it was one-liners. Giving the audience a sense of heightened reality that perfectly fits the film’s outlandish humor.

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Considered to be one of the greatest comedies of all time, the influence of “Airplane!” can still be seen in many films today. Its success helped to establish the career of its creators, who went on to make several other iconic comedies, including “The Naked Gun”, also with Leslie Nielsen. “Airplane!” was a pioneer that popularized the use of sight gags and physical comedy in the disaster movie parody genre. An unforgettable film, “Airplane!” will continue to be enjoyed by audiences for generations to come.

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Clash of the Titans was directed by Desmond Davis. The movie is a retelling of the Greek myth of Perseus, the demigod son of Zeus, who must embark on a journey to save the city of Argos from the wrath of the gods. Wrath brought about by the people’s refusal to pay homage. The film stars Laurence Olivier, Maggie Smith, Burgess Meredith, and Harry Hamlin in the lead roles.

The film’s special effects are the highlight of Clash of the Titans. Producer Ray Harryhausen, known for his innovative work in stop-motion animation, creates some truly stunning creatures, including the Kraken, Medusa, and the iconic owl Bubo. The creatures are brought to life with incredible attention to detail and movement, and the way they are integrated into the live-action scenes is seamless. The production design and cinematography are also noteworthy, making Clash of the Titans a visual feast for the eyes.

The storyline of Clash of the Titans is solid, but a bit predictable. Our hero Perseus, played by Harry Hamlin in his first leading role, is given a few special gifts to help him fight against the Titans. He does well as Perseus, bringing a sense of heroism and determination to the character. Perseus must use his wit and bravery to overcome the gods champions. The film’s climax, in which Perseus takes on the Kraken, is especially thrilling, with Harryhausen’s special effects work taking center stage, a true testament to his mastery of the craft.

Other performers in Clash of the Titans are good, if not great. Laurence Olivier gives a strong performance as Zeus, bringing a regal presence to the role. Maggie Smith is also good as Thetis, the goddess of the sea. But my favorite supporting actor was Burgess Meredith as endearing as the blind seer Ammon.

The impressive production design of Clash of the Titans brings the ancient world to life in vivid detail. The film’s cinematography feels epic, with the use of sweeping camera shots and panoramic views of the landscapes. Youngsters feel like they are riding atop the winged Pegasus. The film’s dramatic and sweeping score, composed by Laurence Rosenthal, perfectly captures the tone of the film.

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Overall, Clash of the Titans is a must-watch for fans of adventure films and special effects work. Its thrilling retelling of the Greek myth of Perseus is entertaining, and the film’s innovative special effects and production design make it a true classic of the genre. If you’re a fan of Greek mythology or just looking for a thrilling adventure movie, Clash of the Titans is definitely worth checking out. Especially as a movie to watch with children.

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“V” The Final Battle is a three part series made to conclude the popular “V” the original miniseries. The show, first aired in 1984, just a year after the original, while interest in the characters and the new sci-fi was high. This gripping series is a much needed follow up to the original, following a group of human rebels as they fight against an invading force of aliens who have taken over Earth.

“V” The Final Battle is the conclusion to the original mini series that aired in 1983.

One of the most enthralling aspects of “V: The Final Battle” is its ability to keep tensions high and maintain the sense of danger throughout the series. The aliens, known as Visitors, are portrayed as ruthless and powerful, and the human characters are constantly struggling to stay alive and resist their oppression. This makes for a thrilling and suspenseful viewing experience.

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Like the original, “V” the Final Battle also does a great job of exploring themes of power, oppression, and resistance. It raises questions about what it means to be human, and the importance of standing up for oneself and others. The series also deals with the moral implications of fighting against an enemy, the importance of unity and the cost of freedom.

Perhaps the best reason to watch “V” the Final Battle is its triumphant outcome. The viewer is imbued with hope and optimism by the end, with the Visitors being defeated and the humans reclaiming their planet. The intense final battle is epic; a powerful reminder that even in the face of seemingly insurmountable odds, the human spirit can triumph.

In conclusion, “V: The Final Battle” is a must-watch for fans of science fiction and political drama. Perhaps the most compelling message here is a reminder of what we seem to have lost as a society. In the age of superhero films; we forget that no-one is coming to save us from real life’s tyranny. When faced with an overwhelming foe, it is the strong who protect each other. Like the “V” miniseries, victory of the oppressed is dependent upon uniting our efforts, revealing our true enemy instead of letting them divide us into squabbling camps. As for the weak, they empower these dark forces and ultimately are it’s most numerable victims. So we should watch both the original “V” miniseries and its sequel, “V” the Final Battle, to learn how to recognize tyranny. Hope prevails when true heroes get involved to the best of their capacities, never expecting someone else to fight their battles for them. The only losers are those who self-righteously embrace oppression, because they will trading in their livelihood for someone else’s vision of how they should live (and die).

Part One

Part Two

Part Three

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The Dark Crystal, was the first feature film collaboration of directors by Jim Henson and Frank Oz. It is Jim Henson Productions 3rd full length film, after 2 successful Muppet movies. But Henson and Oz’s project is very unlike the whimsical Muppet tv or movies that preceded it. A whole planet, named Thra was created for the fantasy setting of the Dark Crystal. Thra is a place of magic and wonderment, the movie a heroic journey and battle of good versus evil.

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The viewer is transported to the world of Thra by the in-depth, pre-CGI set development. The stunning visual effects are handcrafted, not digitally designed. The old school artistry of creatures and lush landscapes is captivating. The directing team’s mastery of puppetry and hands-on special effects are the life-force behind the Dark Crystal. Making the mythical characters real, dynamic and believable.

The main character Jen is a male gelfling. Gelflings are a species of elf-like creatures between 2 and 3 feet tall, females of which have wings. Gelfling’s have the ability to share thoughts and manifest dreams through touch. Because of a prophecy, many, including Jen’s parent’s, were slaughtered in an attempted genocide. This horrendous act created imbalance between the forces of good and evil across the planet. Jen is the hero chosen to make the dangerous journey in an attempt to restore that balance by healing the title Dark Crystal and bringing it back to where it belongs.

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A true hero’s tale, Jen’s escapade is filled with self-discovery, adventure and danger. His bravery and determination and bravery are inspirational. His good nature is embodied in the well developed and touching relationships he has with the other characters, particularly wise Aughra, the powerful leader of the Thra, and kindly Kira, a brave fellow Gelfling. If you have never before seen The Dark Crystal, you won’t be disappointed. This is a film whose skillful development is a disappearing art, but so wonderful, that Netflick’s in it’s prequel remake, tried to go old-school and limit CGI effects.