“Gandhi” is a biographical epic of the life of the life of Mohandas Karamchand Gandhi.  Released in 1982, the film directed by Richard Attenborough, chronicles Gandhi’s life, from his early days in South Africa to his pivotal role in leading India to independence from British rule. The beauty of this historical figure is how he succeeded in teaching his nonviolent resistance philosophy to others to jointly be used as a powerful tool against oppression and injustice. Gandhi’s first experience with racial discrimination happened when he arrived in South Africa as a lawyer and helped ignite his passions as an activist.

The film Ghandi opens up with these pivotal experiences in South Africa. After the trial Ghandi had been commissioned for finished, he stayed on in the British Territory for another 20 years. A generation spent leading the Indian community there in a nonviolent protest against discriminatory laws. This laid the groundwork for his future endeavors in India. Upon returning to his homeland, Gandhi becomes the figurehead of the Indian independence movement, advocating for civil disobedience and peaceful protest.

Mahātmā“Gandhi” is one of the most influential figures of the 20th century. Attenborough’s direction brings Gandhi’s story to life with stunning cinematography and powerful performances. Ben Kingsley captures Gandhi’s essence with nuance and authenticity, delivering an extraordinary performance in the titular role.  Unlike the legend that persists about the man, Kingsley’s portrayal is deeply human. He showed Gandhi not as a flawless saint, but as a flawed and complex individual driven by unwavering principles.

The film’s depiction of Gandhi’s philosophy of nonviolence is both thought-provoking and relevant.  The power of peaceful resistance even in the face of overwhelming odds. From a modern perspective, imagining a successful non-violent protest that directly opposes government, is almost unimaginable, as agitators are commonly put into crowds to create J6 like outcomes. The importance of standing up against injustice hasn’t changed, injustices continue. But who are courageous enough to go to prison and be beaten for their principles. In a world where mere words cause adults to throw temper tantrums, will the courageous be in the numbers required to push back against oppression?

Ghandi hopefully continues to resonate Its message of compassion, hope and the triumph of the human spirit. For as long as injustice continues, its inspiration is needed. As Gandhi himself famously said, “Be the change you wish to see in the world.”

You can also watch “The man who would be king.”

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“Mommie Dearest,” was based on the memoir of Christina Crawford, the adopted daughter of Hollywood actress Joan Crawford. The film directed by Frank Perry, is a biographical drama which portrays the tumultuous relationship between Joan and Christina. Exposing the Hollywood icon as a volatile behavior and allegedly abusive parent towards her adopted children.

Beginning with Joan Crawford’s rise to fame in the 1930s and 1940s, this film showcases her glamorous Hollywood career and her desire for perfection in both her professional and personal life. However, children must learn poise, patience and what is considered perfect, as Joan’s control over their behavior created a dark reality for and troubled relationship with her adopted children, particularly Christina. As Christina becomes more aware, not only of herself, but the relationships around her, her mother’s controlling and abusive tendencies, lead to a series of confrontations and conflicts.

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Faye Dunaway is very convincing as Joan Crawford in “Mommie Dearest”, a complex and deeply flawed character, portrayed with conviction and intensity. Capturing Joan’s fierce ambition and erratic behavior with raw emotion, Dunaway’s performance is both mesmerizing and chilling, From her iconic line “No wire hangers!” to her moments of vulnerability and insecurity, Dunaway brings depth and humanity to a Hollywood personality often portrayed as a caricature.

The film’s portrayal of abuse and dysfunction within the Crawford household is harrowing and unsettling. Scenes of physical and emotional abuse, including Joan’s infamous use of wire hangers to discipline Christina, are depicted with stark realism. While some critics have questioned the accuracy of Christina Crawford’s memoir and its portrayal of Joan, “Mommie Dearest” remains a compelling and provocative exploration of the dark side of fame and the consequences of unchecked ambition.  As well as the reality of maternal abuse that is a consequence of considering one’s children merely an extension of self.

Regardless of how much is truthful and how much is exaggerated in “Mommie Dearest”, the film remains a story about the destructive effects of narcissism and abuse. It serves as a reminder that, as Shakespear wrote, “All that glitters, is not gold”, even in Hollywood. Where more recent media has been revealing that fame and fortune can come at a steep price. Despite everything, it remains a powerful and thought-provoking exploration of a mother-daughter relationship gone horribly wrong. And without a doubt, “Mommie Dearest” is a testament to the enduring power of cinema to shed light on the darkest corners of human nature, even within Tinseltown.

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James at 15 is a highschool drama of the 1970s

James at 15 proves that nostalgia can be a powerful force, transporting us back to simpler times when our biggest worries were our school crushes or our upcoming math test. “James at 15” is a charming television series that captures the essence of growing up in the 1970s, exploring the challenges and triumphs of adolescence with heartfelt honesty. Such a contrast from the provocative reality shows/ and social media clips of today, James at 15 captures the idealistic coming-of-age boomers enjoyed. From mutual respect and family values to opportunities to grow and express oneself as a contributing member of society,

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The titular character, James Hunter (Lance Kerwin), is a 15-year-old boy navigating the tumultuous waters of puberty and high school. James’s journey is one of self-discovery, as he grapples with his emerging feelings towards girls, his desire for independence from his parents, and his search for his own identity. Throughout the season, James’s relationships with his family, friends, and teachers provide a rich tapestry of experiences that resonate with viewers of all ages. The show’s supporting cast is equally memorable, from James’ strong-willed sister, Susan (Melissa Levin), who herself is navigating teenage struggles to his budding romance with Debbie (Deborah Richter), a girl from his school who shares his love of literature. Their relationship unfolds with the innocence and awkwardness of first love with a refreshing honesty that sets “James at 15” apart from other teen dramas.

What truly makes “James at 15” stand out from other shows in its genre is its ability to transport viewers back to the 1970s without feeling like a caricature of the era. The show’s creators skillfully weave in period-appropriate details, from the clothing and hairstyles to the music and cultural references, creating a richly textured world that feels both familiar and nostalgic.

The show’s authenticity extends beyond its aesthetics, however. “James at 15” tackled relevant themes then, which remain so today, such as divorce, drug use, and the challenges of growing up in a rapidly changing world. By addressing these issues with sensitivity and nuance, the show creates a sense of universality that resonates with viewers of all generations. The show’s honest portrayal of adolescence and its exploration of universal themes struck a chord with viewers, earning it a Primetime Emmy Award nomination for Outstanding Drama Series.  The show’s enduring appeal lies in its ability to evoke the warmth and nostalgia of a bygone era, while still feeling relevant and relatable to modern audiences if only to see why traditional values are prized.

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Dune 1984, is a science fiction epic based on Frank Herbert’s 1965 novel of the same name. Set in a distant future where noble families vie for control of the desert planet Arrakis, known for its valuable spice melange.  Hebert, though a science fiction writer, was really a commentator on the  strength of the human mind and spirit as much as on humanity’s weaknesses, falling prey to greed, and political manipulation.   The film follows young Paul Atreides as he becomes embroiled in a complex web of political intrigue, betrayal, and prophecy.

At its core, “Dune” explores themes of power, destiny, and ecological stewardship. The struggle for control of Arrakis, mirrors real-world conflicts over finite resources, highlighting the consequences of unchecked greed and imperialism. The film’s intricate plot and richly imagined universe captivate viewers, drawing them into a world of complex characters and intricate politics.

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Visually stunning, “Dune” boasts impressive special effects and elaborate set designs that bring Herbert’s universe to life. From the towering sandworms of Arrakis to the opulent palaces of the noble houses, every detail is meticulously crafted to immerse audiences in a futuristic world of wonder and danger.  Despite its visual splendor, “Dune” received mixed reviews upon its release, with some critics praising its ambition and imagination while others criticized its convoluted plot and uneven pacing. Lynch’s unconventional storytelling style, characterized by dreamlike imagery and nonlinear narrative, polarized audiences and left many viewers perplexed.  Truly this film is best enjoyed by avid readers who have already devoured Herbert’s Dune saga, and can fill in all the gaps in this extremely complex narrative.

Dune 1984 is only an early taste of what has become a dynasty in it’s own right.  Frank Hubert died in 1986, having published  5 more books in his Dune series. His son Brian, using his father’s notes collaborated with another science fiction author Kevin J. Anderson to continue the series. They have released 2 trilogies which prequel Frank’s original story as well as two novels which bring a conclusion to the Dune Character’s story arches.

For visual media, we have Dune as a 3 part television series in 2000,  and more recently as a movie in 2021, the conclusion of which was released this year under the title Dune 2. Needless to say, “Dune” has  gained a cult following and is celebrated for its bold vision and groundbreaking visuals. Its influence can be seen in subsequent science fiction films and television series, inspiring generations of filmmakers and fans alike.   While it may not have been universally embraced upon its release, its enduring legacy and passionate fan base attest to its lasting impact on the science fiction genre.

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In 1980, the 5 part, 10 hour mini-series “Shogun” captivated audiences.  Based on James Clavell’s best-selling novel of the same name, this ambitious production brought to life the story of an English navigator, John Blackthorne, who shipwrecks in feudal Japan, becoming embroiled in their political intrigues and violent power struggles. “Shogun” was a monumental achievement that captivated audiences around the world and remains a landmark in television history.

The year is 1600, and shipwrecked John Blackthorne (played by Richard Chamberlain), is quickly captured by local samurai warriors and brought before Lord Toranaga (Toshiro Mifune), a powerful daimyo (feudal lord).  He sees Blackthorne as both a potential threat and an opportunity. As Blackthorne struggles to adapt to the unfamiliar customs and language of Japan, he becomes entangled in the complex web of political manipulations and rivalries between the various daimyos vying for power.

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Lord Toranaga recognizes the value of Blackthorne’s knowledge of navigation and Western culture and decides to keep him alive. He sees an intelligent man, with leadership skills and  makes him a samurai, giving him the name “Anjin.” He also gives him a mere 6 months to learn the language.  These challenges are set upon the backdrop of brutal battles and betrayal in the picturesque landscape of Japan.

“Shogun” was produced by NBC and aired in September 1980. The mini-series was an international co-production, featuring a cast of American, European, and Japanese actors, as well as a crew from both the United States and Japan. To ensure authenticity, the production team built massive sets, including an entire village, and incorporated traditional Japanese huts.

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“Shogun,” the 1980 mini-series based on James Clavell’s novel, remains a groundbreaking achievement in television history.  They have just released a remake of Shogun which so far tells the story a little differently. But this romanticized version does a great job of it’s character development and is worth watching first.  Especially while waiting for the full release of the newest version.

Episode 1

Episode 2

Episode 3

Episode 4

Episode 5 Final

Watch the 1976 mini series – Rich Man Poor Man

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Fame the series was an iconic show that aired from 1982 to 1987. It remains a cultural touchstone to this day. Set at the New York City High School for the Performing Arts.  Like the preceding film, Fame the series was shot mostly in California. The school which was made world renowned, through this film and series, actually closed in 1984. But New York’s most aspiring arts students were moved to a new facility. The new school includes visual arts studies now.  The show Fame follows the lives of talented young students striving to achieve their dreams in the competitive world of show business.

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 Fame the series celebrates passion, perseverance, and the pursuit of excellence in the arts.  It captured the optimism of youth prevalent in the 80s.  As well as the many trials and tribulations of those formative years approaching adulthood. The high-school politics and adolescent turmoil was set on a backdrop of  competitiveness and personal drive. But this was balanced with a loving environment of caring friends and teachers.  Accordingly its message is that no matter what our individual talents and/or failings, we all have something great to offer.  Also, that when faced with seeming impossibilities, it teaches that with the care and support of our friends, one will prevail. And finally what it means to be a true friend.

Watch the original Fame movie

Despite being a show based upon a small talented segment of society, “Fame the series” continues to resonate with audiences around the world.  After 3 decades, the hopeful, energetic attitudes of the cast and their dedicated pursuit of dreams continues to inspire.  Whether you’re a fan of music, dance, or drama, “Fame the series” is sure to leave an impression that will last a lifetime.  You’ll find all 6 seasons below.

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Fame was directed by Alan Parker, offers a vibrant and immersive exploration of the lives of students at New York City’s High School of Performing Arts. The film offers a glimpse of the trials and tribulations of a group of students negotiating not only adolescence but the added challenges of doing what it takes to make it in the entertainment industry. Overall, “Fame” is a timeless classic that continues to captivate audiences with its dynamic performances, infectious energy, and poignant storytelling.

At its core, “Fame” is a celebration of talent, ambition, and the pursuit of artistic excellence.  A passion that inspired the spin off TV series Fame which aired from 82 through to 87. The film’s ensemble cast delivers compelling performances, portraying characters from various backgrounds and disciplines. Some of these originally film cast characters were kept in the TV series.  Most notably teachers Miss Lydia Grant (dance), and the beloved Benjamin Shorofsky (music) played by Debbie Allen, and Albert Hague, along with dancer Gene Anthony Ray playing the unforgettable Leroy Johnson and musician/ composer Lee Curreri playing the lovable Bruno Martelli.

The film’s plot weaves together multiple story lines, providing insight into the personal struggles and triumphs of each character. Fame explores issues such as racial and socioeconomic inequality, the pressure to conform to societal expectations, and the importance of staying true to oneself in the face of adversity. The characters’ passion for their art form drives them to overcome obstacles and pursue their dreams relentlessly, inspiring viewers to embrace their own creativity and resilience. It is a tribute to individualism and the strength of cooperative collaborations. (Social problems are addressed without stifling group identity politics).

The movie Fame is set in the late 70s, so hair styles and fashions have changed dramatically, but the lively spirit continues to inspire. If you ever enjoyed the television series, this film gives a deeper background to the characters, from their auditions, to their mistakes (not suitable for prime-time TV).

You can also watch “The gods Must Be Crazy”

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“The Gods Must Be Crazy,”  is Jamie Uvs, 1980 cinematic treasure that explores culture clash through humor.  The film explores the collision of two worlds—the traditional, harmonious life of the San people and the chaotic, technologically driven modern world. The vast and serene natural landscapes of the Kalahari desert are contrast against the chaotic man-made city.

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Examining the consequences of modernity on indigenous cultures, the movie revolves around the arrival of a Coca-Cola bottle dropped from an airplane, which disrupts the serene existence of the San tribe. The bottle, initially seen as a gift from the gods, soon becomes a source of conflict and chaos among the tribe members. The film uses this simple yet powerful premise to delve into complex themes of cultural clash and societal values.

One of the film’s strengths lies in its ability to navigate between humor and poignant social commentary. The comedic elements, often slapstick and exaggerated, serve as a vehicle to highlight the absurdities of modern society from the perspective of the San people. The juxtaposition of the simple, communal life of the tribe with the complexity and superficiality of the modern world provides a satirical lens through which the audience can reflect on their own societal norms.

The character of Xi, portrayed by the exceptional N!xau, becomes the unwitting protagonist in this cultural collision. His journey to dispose of the troublesome Coca-Cola bottle takes him on an unexpected adventure, bringing him into contact with characters from different walks of life. The film subtly comments on the folly of technological progress, and the impact of materialism,through Xi’s interactions. In doing so, it highlights the importance of simplicity and community.

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“The Gods Must Be Crazy” is more than just a comedy; it is a thought-provoking exploration of cultural clashes and the consequences of modernity. As society makes it’s next technological leap embracing AI, one is left wondering what culture clash will modernity bring us next. How will it look? Will it be the city dweller who wanders into the wilderness and is bewildered and helpless without his gadgets and technologically fed instructions?

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“The Mary Tyler Moore Show,” was a flagship equivalent for feminism on mainstream television. A groundbreaking American sitcom that aired through most of the 1970s and even had a couple of spin-offs.  The show revolves around the life of Mary Richards, played by the iconic svelte Mary Tyler Moore. Mary is a single, career-focused woman who moves to Minneapolis and becomes a producer at for a fictional newsroom. Mary is shown as a matriarchal leader, doling out advice and that feminine touch to save the day.

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The series follows Mary’s personal and professional life, showcasing her relationships with her colleagues. It gives a realistic depiction of a working woman, while challenging traditional gender roles. Mary Tyler Moore’s character shattered stereotypes, becoming an iconic symbol of independence and empowerment for women in the 1970s. What stands out particularly, is that Mary’s character was accepted as a women in a professional setting.  Her beauty was non-consequential to the role, since sexuality was kept completely out of the equation.

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 The “Mary Tyler Moore Show” left a lasting impact on television history, serving as a trailblazer for portraying strong, independent women in lead roles, without resorting to equating femininity with sexuality.  Nobody would argue that Mary Tyler Moore was a powerhouse in the entertainment industry. She took her role as a feminist to mean being the best woman she could be, embracing the differences between masculine and feminine. Differences that make things special and bring balance to life. Just like the differences in her co-stars characters, whose well rounded development showed that people with different personalities can get along, if they make the effort and try to remain empathic, a human quality we all need to share.

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Butterfly, directed by Matt Cimber, is a drama set in rural America,  that delves into the complex and often taboo subject of sexuality. The film introduces audiences to Pia Zadora, in the title role. Her character, a seductive young woman, arrives in a small town seeking her estranged father, Jess Tyler, played by Stacy Keach.

As the narrative unfolds, it becomes evident that Butterfly’s intentions are not solely familial.  She enthusiastically engages in a provocative relationship with her father, pushing the boundaries of conventional morality within the community. Oscillating between moments of tension, passion, and introspection, the film Butterfly underscores the destructive potential of repressed desires and societal taboos.

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Butterfly’s uninhibited demeanor and challenge of societal norms make her a quintessential representation of the era’s evolving sexual landscape. However, it is essential to note that the film also portrays Butterfly’s sexuality as a source of controversy and conflict, highlighting the underlying tensions and anxieties that accompanied the era’s changing morals.

Conversely, Jess Tyler’s character  embodies the conservative attitudes which sought to uphold traditional notions of sexuality and morality. His internal struggle between desire and societal expectation, underscored a conflict that resonated with many during the era. This conservative attitude is shared by his community who represent the moral consequence of succumbing to his temptations.

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In contrast to the era’s dominant attitudes towards sexuality, the film “Butterfly” offers a nuanced portrayal that neither wholly condemns nor glorifies the characters’ actions and desires. This film is particularly meaningful given that it’s subject remains taboo today, while all other sexual liberties are promoted on the cultural level, even in schools.  As such, the film invites viewers to engage in a critical dialogue about the complexities of human sexuality and the societal constructs that seek to regulate and define it.

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