The Black Stallion is a captivating adventure that tells the extraordinary story of a young boy and a wild horse. Based on a novel by Walter Farley, the 1979 movie explores themes of friendship, survival, and the unbreakable bond between a boy and an animal. The Black Stallion is a stunningly visual cinematic masterpiece. The film, set in the 1940s has endured as one of the most touching of its time, largely due to its mesmerizing portrayal of the relationship between the eponymous stallion and the boy Alec Ramsay.

The story begins on a ship, where we first see the Beautiful Black Stallion fighting against his restraints. There is a storm, and a young boy Alec Ramsay (Kelly Reno), mesmerized by the animal’s power, goes to free the animal from it’s prison on the sinking ship. They wash up on a deserted island after the shipwreck. The Black Stallion is magnificent, a wild untamed spirit with a sleek black coat; a symbol of both freedom and power.

One of the most powerful aspects of The Black Stallion is the way it emphasizes the importance of perseverance and survival. Alec and the stallion form a bond of mutual respect, relying on each other to overcome the difficulties of their isolated situation. The emotional resonance of their relationship is brought to life through the vast and barren landscape of the island as well as the intense moments of struggle and triumph between them.

When Alec and The Black Stallion are rescued, it becomes obvious that the boy and horse share a special bond. However, Alec’s home life isn’t exactly set up to accommodate the Stallion. Finally a suitable stable is found for the horse and retired jockey Henry Dailey (Mickey Rooney) decides to teach Alec how to race with his horse. Alec, now determined to prove The Black Stallion‘s abilities, enters the horse into a race, where the young boy and the wild stallion face their ultimate test.

The scenes leading up to the race are filled with tension and anticipation. Alec’s relationship with The Black Stallion is tested in ways that force the boy to mature and take responsibility for the horse’s fate. This journey from isolation to competition illustrates the universal themes of growth, courage, and the pursuit of dreams. The bond between Alec and The Black Stallion ultimately culminates in a thrilling race sequence, showcasing not only the horse’s natural abilities but also the trust that has developed between the boy and the animal. The race is a powerful metaphor for their shared journey, symbolizing the culmination of their bond and the triumph of perseverance. The film beautifully captures the power of silent communication and the strength that can be found in shared moments of hardship and joy.

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The Winds of Kitty Hawk, a 1978 made-for-television movie, serves as a poignant and historical dramatization of one of the most significant events in the history of human flight: the Wright brothers’ first successful powered flight at Kitty Hawk, North Carolina, in 1903. Directed by Michael O’Herlihy, with a narrative that blends historical accuracy with cinematic drama, The Winds of Kitty Hawk stands as a tribute to the ingenuity, determination, and spirit of innovation that led to one of humanity’s greatest achievements.

The era of this movie was one in which few believed it would be possible to fly like birds.   The Wright brothers’ innovation in aerodynamics, control, and propulsion was unmatched even by renown scientist that had government sponsorship.  Kitty Hawk, North Carolina, was chosen as the site for the brothers’ experiments due to its strong winds, isolation, and soft sand, which made it a perfect location for their trial and error-based work.

Orville and Wilbur Wright, were self-taught engineers or inventors of their time. They relied on their backgrounds as bicycle mechanics. The Winds of Kitty Hawk captures their hands-on experimentation, showcasing the brothers as ordinary men who, through sheer determination, ingenuity, and tireless work, brought the dream of flight to fruition.

The plot of The Winds of Kitty Hawk focuses on the emotional and professional journey of the Wright brothers as they pursue their dream of flying. The film begins by exploring the early years of Orville and Wilbur, highlighting their close relationship as brothers and their shared passion for mechanical innovation. The early stages of the film emphasize their obsession with flight, often portraying their solitary existence in Kitty Hawk as they worked tirelessly on their experiments.

As the movie progresses, the narrative delves deeper into the technical challenges the brothers faced, as well as the personal sacrifices they made. The brothers’ work in Kitty Hawk was fraught with failure, but their perseverance never wavered. Scenes in the film show the brothers building and testing multiple prototypes, each one more refined than the last. At the heart of these sequences is the palpable tension between hope and despair, as the brothers’ success seemed always just out of reach. The film’s portrayal of this struggle resonates deeply with viewers, emphasizing the theme that innovation often comes at the cost of failure and setbacks.

One of the key moments in the film is the first successful powered flight on December 17, 1903. The film dramatizes this historic moment with a sense of triumph, showing Orville’s first flight in the Flyer, lasting just 12 seconds but achieving a distance of 120 feet. The achievement was brief but revolutionary, marking the birth of modern aviation.

One of the central themes of The Winds of Kitty Hawk is the triumph of human ingenuity over adversity. The film underscores the Wright brothers’ commitment to their dream, even in the face of personal doubts and setbacks. This determination is not portrayed as a simple, linear path to success but as a series of missteps, learning experiences, and small victories. It highlights the importance of persistence in the pursuit of one’s goals and the belief that failure is merely a steppingstone toward success. The movie honors the legacy of Orville and Wilbur Wright and serves as an inspiration to all who dare to dream.

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Madame Claude, directed by Just Jaeckin, explores the life of the infamous Fernande Grudet, better known as Madame Claude. Known as the real-life queen of Paris’s underground sex industry, she rose to prominence in the 1960s and 1970s as the head of an elite escort service catering to the rich and powerful. *Madame Claude* is both a critique of the Parisian elite and an exploration of the underbelly of power and prostitution. The film follows her rise to power, maneuvering through Paris’s high society. She must maintain control over her business and her girls while navigating her relationships with powerful men, law enforcement, and the media.

Françoise Fabian plays the role with a calculated mix of elegance and emotional detachment. Madame Claude is not merely a madam running a prostitution ring; she is a powerful businesswoman who views her trade as a professional enterprise. She carefully selects and trains her call girls to meet the standards of her elite clientele, ensuring that discretion and class are maintained at all times.The film delves into her life, offering a glimpse into a world of wealth, influence, and corruption, while also portraying the vulnerabilities and complexities of its central character. Set in a time of social and political change.

*Madame Claude* addresses several significant themes, including power, sexuality, and the intersection of legality and morality. The movie examines Madame Claude and her call girls, navigate a world wilst commodified, while also finding ways to assert their own agency. Another prominent theme is the corrupting influence of power. Madame Claude’s business is deeply intertwined with political and corporate power structures, illustrating how the rich and powerful manipulate society’s rules to serve their own interests. The film also touches on the complicity of law enforcement and the media, showing how those in power turn a blind eye to corruption when it benefits them.

The tension between secrecy and exposure is central to the film. Much of Madame Claude’s power stems from her ability to keep secrets—both her own and those of her clients. However, as the film progresses, it becomes clear that the walls of secrecy are beginning to close in.  David Evans, a photojournalist, investigates the secrets of Madame Claude’s business. His growing interest in her world creates a sense of intrigue and suspense, suggesting that her glamorous empire might not be as unshakable as it seems.

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Mommie Dearest is directed by Frank Perry and adapted from the memoir of the same name by Christina Crawford. The memoir was the first of it’s kind to show the dark family secrets of a Hollywood personality from the child’s perspective. The movie stars Faye Dunaway as Joan Crawford, a Hollywood icon whose reputation for elegance and glamour belies a deeply troubled personal life. The film, which explores Joan Crawford’s complex and abusive relationship with her adopted children, has been both criticized and celebrated for its portrayal of Crawford’s life.

Although the book was written from the child’s perspective, the movie focuses on the Hollywood icon. The film begins with Joan Crawford’s rise to fame, showcasing her successful career and the glamorous facade she maintained. As the story progresses, it delves into her turbulent relationship with her daughter, Christina Crawford, revealing the dark side of her personal life. The narrative demonstrates how the children were used and trained to be publicity tools. How their public image was of the upmost importance, because it reflected on how the star was perceived.

Mommie Dearest depicts Joan Crawford as a control freak with an OCD need for extreme cleanliness. The film shows several infamous episodes from Christina’s childhood, including the notorious wire-hanger scene, where Crawford violently reacts to finding wire hangers in her daughter’s closet. This scene, meant to highlight the extent of Crawford’s rage, was often mocked in theaters, with a Rocky Horror type of following.  Throughout the film, Crawford is shown as increasingly erratic and abusive, falling into alcoholism as her career waned, but always maintaining a stark contrast between her with her public persona and her private behavior. The film ends with Joan Crawford’s death and Christina’s struggle to come to terms with her past.

Many argue that Christina Crawford’s memoir, Mommie Dearest, was meant as revenge against being overlooked in her mother’s will, as the youngest children contested it’s veracity. But anyone who comes from abusive household’s will be quick to note that the youngest children rarely experience the same treatment as the oldest. Furthermore, the trauma experienced was and is real enough for Christina.  She herself never had children and admits to have difficulty in trusting people in general.  In her book, Christina detailing her experiences of physical and emotional abuse at the hands of her mother, described Crawford as a domineering and emotionally unstable figure who inflicted severe punishment and psychological torment on her children.

Despite the controversy, “Mommie Dearest” remains a significant film for its portrayal of a troubled Hollywood icon and its impact on discussions about abuse and celebrity culture. Whether viewed as a dramatic exaggeration or a necessary critique, Mommie Dearest stands as a reminder that, “picture perfect” rarely is. They say that a picture is worth a thousand words, but a thousand words never tell the whole story. So be careful who you think to idolize or emulate, because you probably don’t know them at all.

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“Looking for Mr. Goodbar” is a compelling, if unsettling, film that offers a raw and unflinching look at the complexities of human desire, as well as the risks associated with sexual liberation. Diane Keaton delivers a powerhouse performance, capturing the character’s defiance, vulnerability, and ultimate tragic descent of Theresa Dunn. Theresa is a deeply relatable figure, despite her often self-destructive choices because of Keaton’s nuanced portrayal. By day a proper school teacher for the deaf, by night a “swinging single” picking up strangers in New York City‘s seedy 1970s bars. Her search for fulfillment comes as a consequence of unhealthy self image and a personal desire that conflicts with social expectations.

Richard Gere’s portrayal of Tony is equally noteworthy, as he embodies the charismatic yet dangerous allure that draws Theresa into her nocturnal world. Gere’s performance is both seductive and menacing, providing a stark contrast to Keaton’s more introspective and conflicted character. A catalyst for her double life. The supporting cast, including Tuesday Weld as Theresa’s free-spirited sister and Tom Berenger as the film’s chilling antagonist, contribute to the film’s rich tapestry of characters and themes. Weld’s performance adds a layer of complexity to the family dynamics that shape Theresa’s psyche, while Berenger’s chilling portrayal of Gary underscores the film’s themes of danger and vulnerability.

Richard Brooks’ direction of “Looking for Mr. Goodbar” is masterful, blending gritty realism with moments of surreal intensity. The film’s moody lighting and authentic depiction of 1970s New York nightlife, enhances the narrative’s sense of disorientation and emotional depth. The soundtrack, featuring a mix of disco hits and haunting melodies, further immerses the audience in the era and the protagonist’s tumultuous inner world.

“Looking for Mr. Goodbar” is not an easy film to watch. Its candid depiction of sex, violence, and existential angst challenges viewers to confront uncomfortable truths about the pursuit of identity and fulfillment in a world rife with contradictions and peril. Even today, with the boundaries of identity redefined, the liberal expression of feminine sexuality is not without it’s pitfalls. The allure of strength and aggression is undeniable as well as dangerous. The film’s ending is both shocking and inevitable, serving as a powerful commentary on the risks of living a life untethered from conventional morality and safety. The film’s climax is a harrowing depiction of Theresa’s final night out. She meets Gary (Tom Berenger), a volatile and unpredictable man, who she brings back to her apartment. The encounter turns violent, leading to a brutal and shocking conclusion that underscores the dangers inherent in her search for freedom and self-worth.

Decades after its initial release, the daring and thought provoking “Looking for Mr. Goodbar” remains relevant. It is a testament to the power of cinema to explore the darkest corners of the human experience, and Diane Keaton’s unforgettable performance ensures that Theresa Dunn’s story will linger in the minds of viewers long after the credits roll. In fact, one can imaging a just as edgy retelling of the story from a modern perspective, complete with the blurred lines of masculine and feminine roles as they are played out in ever changing complex landscape of human desire and sexuality.

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“Gandhi” is a biographical epic of the life of the life of Mohandas Karamchand Gandhi.  Released in 1982, the film directed by Richard Attenborough, chronicles Gandhi’s life, from his early days in South Africa to his pivotal role in leading India to independence from British rule. The beauty of this historical figure is how he succeeded in teaching his nonviolent resistance philosophy to others to jointly be used as a powerful tool against oppression and injustice. Gandhi’s first experience with racial discrimination happened when he arrived in South Africa as a lawyer and helped ignite his passions as an activist.

The film Ghandi opens up with these pivotal experiences in South Africa. After the trial Ghandi had been commissioned for finished, he stayed on in the British Territory for another 20 years. A generation spent leading the Indian community there in a nonviolent protest against discriminatory laws. This laid the groundwork for his future endeavors in India. Upon returning to his homeland, Gandhi becomes the figurehead of the Indian independence movement, advocating for civil disobedience and peaceful protest.

Mahātmā“Gandhi” is one of the most influential figures of the 20th century. Attenborough’s direction brings Gandhi’s story to life with stunning cinematography and powerful performances. Ben Kingsley captures Gandhi’s essence with nuance and authenticity, delivering an extraordinary performance in the titular role.  Unlike the legend that persists about the man, Kingsley’s portrayal is deeply human. He showed Gandhi not as a flawless saint, but as a flawed and complex individual driven by unwavering principles.

The film’s depiction of Gandhi’s philosophy of nonviolence is both thought-provoking and relevant.  The power of peaceful resistance even in the face of overwhelming odds. From a modern perspective, imagining a successful non-violent protest that directly opposes government, is almost unimaginable, as agitators are commonly put into crowds to create J6 like outcomes. The importance of standing up against injustice hasn’t changed, injustices continue. But who are courageous enough to go to prison and be beaten for their principles. In a world where mere words cause adults to throw temper tantrums, will the courageous be in the numbers required to push back against oppression?

Ghandi hopefully continues to resonate Its message of compassion, hope and the triumph of the human spirit. For as long as injustice continues, its inspiration is needed. As Gandhi himself famously said, “Be the change you wish to see in the world.”

You can also watch “The man who would be king.”

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James at 15 is a highschool drama of the 1970s

James at 15 proves that nostalgia can be a powerful force, transporting us back to simpler times when our biggest worries were our school crushes or our upcoming math test. “James at 15” is a charming television series that captures the essence of growing up in the 1970s, exploring the challenges and triumphs of adolescence with heartfelt honesty. Such a contrast from the provocative reality shows/ and social media clips of today, James at 15 captures the idealistic coming-of-age boomers enjoyed. From mutual respect and family values to opportunities to grow and express oneself as a contributing member of society,

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The titular character, James Hunter (Lance Kerwin), is a 15-year-old boy navigating the tumultuous waters of puberty and high school. James’s journey is one of self-discovery, as he grapples with his emerging feelings towards girls, his desire for independence from his parents, and his search for his own identity. Throughout the season, James’s relationships with his family, friends, and teachers provide a rich tapestry of experiences that resonate with viewers of all ages. The show’s supporting cast is equally memorable, from James’ strong-willed sister, Susan (Melissa Levin), who herself is navigating teenage struggles to his budding romance with Debbie (Deborah Richter), a girl from his school who shares his love of literature. Their relationship unfolds with the innocence and awkwardness of first love with a refreshing honesty that sets “James at 15” apart from other teen dramas.

What truly makes “James at 15” stand out from other shows in its genre is its ability to transport viewers back to the 1970s without feeling like a caricature of the era. The show’s creators skillfully weave in period-appropriate details, from the clothing and hairstyles to the music and cultural references, creating a richly textured world that feels both familiar and nostalgic.

The show’s authenticity extends beyond its aesthetics, however. “James at 15” tackled relevant themes then, which remain so today, such as divorce, drug use, and the challenges of growing up in a rapidly changing world. By addressing these issues with sensitivity and nuance, the show creates a sense of universality that resonates with viewers of all generations. The show’s honest portrayal of adolescence and its exploration of universal themes struck a chord with viewers, earning it a Primetime Emmy Award nomination for Outstanding Drama Series.  The show’s enduring appeal lies in its ability to evoke the warmth and nostalgia of a bygone era, while still feeling relevant and relatable to modern audiences if only to see why traditional values are prized.

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In 1980, the 5 part, 10 hour mini-series “Shogun” captivated audiences.  Based on James Clavell’s best-selling novel of the same name, this ambitious production brought to life the story of an English navigator, John Blackthorne, who shipwrecks in feudal Japan, becoming embroiled in their political intrigues and violent power struggles. “Shogun” was a monumental achievement that captivated audiences around the world and remains a landmark in television history.

The year is 1600, and shipwrecked John Blackthorne (played by Richard Chamberlain), is quickly captured by local samurai warriors and brought before Lord Toranaga (Toshiro Mifune), a powerful daimyo (feudal lord).  He sees Blackthorne as both a potential threat and an opportunity. As Blackthorne struggles to adapt to the unfamiliar customs and language of Japan, he becomes entangled in the complex web of political manipulations and rivalries between the various daimyos vying for power.

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Lord Toranaga recognizes the value of Blackthorne’s knowledge of navigation and Western culture and decides to keep him alive. He sees an intelligent man, with leadership skills and  makes him a samurai, giving him the name “Anjin.” He also gives him a mere 6 months to learn the language.  These challenges are set upon the backdrop of brutal battles and betrayal in the picturesque landscape of Japan.

“Shogun” was produced by NBC and aired in September 1980. The mini-series was an international co-production, featuring a cast of American, European, and Japanese actors, as well as a crew from both the United States and Japan. To ensure authenticity, the production team built massive sets, including an entire village, and incorporated traditional Japanese huts.

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“Shogun,” the 1980 mini-series based on James Clavell’s novel, remains a groundbreaking achievement in television history.  They have just released a remake of Shogun which so far tells the story a little differently. But this romanticized version does a great job of it’s character development and is worth watching first.  Especially while waiting for the full release of the newest version.

Episode 1

Episode 2

Episode 3

Episode 4

Episode 5 Final

Watch the 1976 mini series – Rich Man Poor Man

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Fame was directed by Alan Parker, offers a vibrant and immersive exploration of the lives of students at New York City’s High School of Performing Arts. The film offers a glimpse of the trials and tribulations of a group of students negotiating not only adolescence but the added challenges of doing what it takes to make it in the entertainment industry. Overall, “Fame” is a timeless classic that continues to captivate audiences with its dynamic performances, infectious energy, and poignant storytelling.

At its core, “Fame” is a celebration of talent, ambition, and the pursuit of artistic excellence.  A passion that inspired the spin off TV series Fame which aired from 82 through to 87. The film’s ensemble cast delivers compelling performances, portraying characters from various backgrounds and disciplines. Some of these originally film cast characters were kept in the TV series.  Most notably teachers Miss Lydia Grant (dance), and the beloved Benjamin Shorofsky (music) played by Debbie Allen, and Albert Hague, along with dancer Gene Anthony Ray playing the unforgettable Leroy Johnson and musician/ composer Lee Curreri playing the lovable Bruno Martelli.

The film’s plot weaves together multiple story lines, providing insight into the personal struggles and triumphs of each character. Fame explores issues such as racial and socioeconomic inequality, the pressure to conform to societal expectations, and the importance of staying true to oneself in the face of adversity. The characters’ passion for their art form drives them to overcome obstacles and pursue their dreams relentlessly, inspiring viewers to embrace their own creativity and resilience. It is a tribute to individualism and the strength of cooperative collaborations. (Social problems are addressed without stifling group identity politics).

The movie Fame is set in the late 70s, so hair styles and fashions have changed dramatically, but the lively spirit continues to inspire. If you ever enjoyed the television series, this film gives a deeper background to the characters, from their auditions, to their mistakes (not suitable for prime-time TV).

You can also watch “The gods Must Be Crazy”

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Rich Man Poor Man is the televised interpretation of Irwin Shaw’s best-selling novel. The prime-time release of a soap-opera-like drama had audiences captivated by it’s attractive and relatable characters. The mini-series follows two brothers, Rudy and Tom Jordache, from their childhood to adulthood, as they navigate through their vastly different lives. Rudy is a criminal who must hustle for his meager living, while Tom, a war hero becomes a wealthy successful businessman. The series explores the themes of family and love as well as success and sacrifice.

Unlike today, back in the 70s, men were still predominantly the bread winners in most relationships, so the financial success of men affected the women in their lives more profoundly. Rich Man, Poor Man, as much as it reflected the lives of two men, was very much a story about how the choices made by those men were felt by the women who loved them.  The relationships were complex, the characters well developed and multi-dimensional. The female characters  were portrayed as strong and determined, but also vulnerable and emotional, eliciting a strong emotional response from the female viewers.

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The romantic relationships were not the only ones of interest. Rich Man Poor Man also explored the theme of motherhood.   The Jordache family is portrayed as a close-knit and their mother plays a central role in their lives. The relationship between the mother and her sons was depicted as loving and nurturing, with the mother sacrificing everything for her children. Many female viewers identified with the mother’s love for her children and her unwavering devotion to their well-being.

Finally, despite the societal shift that has changed modern society since Rich Man, Poor Man was written it still holds significance today.  The struggles in our interpersonal relationships remains, even if our relative expectations have changed. This series is a classic and still a good watch, if only to give a different perspective on how life’s struggles and our reactions to them affect those around us.

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