The Black Stallion is a captivating adventure that tells the extraordinary story of a young boy and a wild horse. Based on a novel by Walter Farley, the 1979 movie explores themes of friendship, survival, and the unbreakable bond between a boy and an animal. The Black Stallion is a stunningly visual cinematic masterpiece. The film, set in the 1940s has endured as one of the most touching of its time, largely due to its mesmerizing portrayal of the relationship between the eponymous stallion and the boy Alec Ramsay.

The story begins on a ship, where we first see the Beautiful Black Stallion fighting against his restraints. There is a storm, and a young boy Alec Ramsay (Kelly Reno), mesmerized by the animal’s power, goes to free the animal from it’s prison on the sinking ship. They wash up on a deserted island after the shipwreck. The Black Stallion is magnificent, a wild untamed spirit with a sleek black coat; a symbol of both freedom and power.

One of the most powerful aspects of The Black Stallion is the way it emphasizes the importance of perseverance and survival. Alec and the stallion form a bond of mutual respect, relying on each other to overcome the difficulties of their isolated situation. The emotional resonance of their relationship is brought to life through the vast and barren landscape of the island as well as the intense moments of struggle and triumph between them.

When Alec and The Black Stallion are rescued, it becomes obvious that the boy and horse share a special bond. However, Alec’s home life isn’t exactly set up to accommodate the Stallion. Finally a suitable stable is found for the horse and retired jockey Henry Dailey (Mickey Rooney) decides to teach Alec how to race with his horse. Alec, now determined to prove The Black Stallion‘s abilities, enters the horse into a race, where the young boy and the wild stallion face their ultimate test.

The scenes leading up to the race are filled with tension and anticipation. Alec’s relationship with The Black Stallion is tested in ways that force the boy to mature and take responsibility for the horse’s fate. This journey from isolation to competition illustrates the universal themes of growth, courage, and the pursuit of dreams. The bond between Alec and The Black Stallion ultimately culminates in a thrilling race sequence, showcasing not only the horse’s natural abilities but also the trust that has developed between the boy and the animal. The race is a powerful metaphor for their shared journey, symbolizing the culmination of their bond and the triumph of perseverance. The film beautifully captures the power of silent communication and the strength that can be found in shared moments of hardship and joy.

xxxxxxxxxxxx

The post The Black Stallion appeared first on Classic TV and Movies.

French Postcards was released in 1979 and is a charming and introspective coming-of-age film that combines elements of romance, comedy, and drama. Directed by Michael Adams, the film explores the lives of a group of American college students who travel to Paris for a year abroad. With themes of self-discovery, love, and cultural exploration, French Postcards captures the spirit of youthful idealism while also portraying the complex realities of relationships.

The film’s narrative is structured around the relationships and personal journeys of its central characters. Among the main protagonists is an American student named Joel, who becomes infatuated with a French woman named Toni, played by the French actress Valérie Quennessen. (Summer Lovers) Toni represents both the allure of Parisian culture and the romantic ideal often sought by American tourists. At its core, French Postcards is an exploration of the tensions between expectation and reality. The American students have arrived in Paris with idealized notions of romance and adventure, but their experiences often challenge these illusions.

The film also contrasts the idealized image of Paris as a romantic city with the everyday reality of life in the French capital. While the characters are surrounded by the beauty of Parisian streets, cafes, and landmarks, they quickly realize that the city itself is not the answer to their personal dilemmas. Rather, the city becomes a backdrop for their internal struggles. The film’s tone balances light-hearted humor with moments of introspection, offering a nuanced look at the way people, particularly young people, confront their desires, fears, and aspirations.

The film’s performances are another strength, with a solid cast bringing the characters’ emotional journeys to life. Among the standout performances is Valérie Quennessen, whose portrayal of Toni brings a sense of mystery and warmth to the character. She is both an object of romantic desire and a complex individual in her own right. Although her role is central to one of the key romantic story-lines, the true heart of the film lies in the broader experiences of the group of students. Through their interactions with each other and with the city of Paris, the film explores how youth, love, and identity are intertwined, and how personal growth often occurs in unexpected ways.

While French Postcards is ultimately a film about youth and romance, it also touches on the universal themes of self-discovery and the quest for meaning. It shows how travel can open up new possibilities for growth, but also how it can highlight the uncertainties that come with trying to understand oneself and one’s place in the world. The film’s exploration of cultural differences and personal evolution remains relevant today, offering a timeless reflection on the challenges and rewards of coming-of-age experiences.

xxxxxxxxxxxxxxxxxxxxxxxx

The post French Postcards appeared first on Classic TV and Movies.

Exploring Taboo and Desire in “Ma Mère” (2004)

My Mother /Ma Mère, is based on a novel by Georges Bataille, The 2004 film, directed by Christophe Honoré, is  provocative and controversial. This french film navigates the intricate terrain of forbidden desires and the consequences of exploring them within the confines of a family.  What begins as a seemingly ordinary family visit soon spirals into a profound exploration of the darker aspects of human nature.

Set against the backdrop of a luxurious but emotionally sterile family estate, “Ma Mère” introduces viewers to a world where social norms and personal boundaries are constantly tested. The story follows 17-year-old Pierre, played by Louis Garrel, who is thrust into an unsettling and morally ambiguous environment when he visits his mother, Hélène (Isabelle Huppert), and her partner, Rémy (Joachim Lafosse), for the summer.

The film’s narrative revolves around the complex relationship between Pierre and his mother, Hélène. Hélène is portrayed as a charismatic yet emotionally detached figure, while simultaneously being a sexually liberal and perverse individual.  Her actions challenge societal conventions and familial loyalty. Her unorthodox behavior and intimate relationships with those around her blur the lines between maternal affection and sexual attraction. This dynamic is central to the film’s exploration of the boundaries between familial love and desire.

Honoré’s direction is both audacious and deliberate, crafting scenes that are visually striking and thematically charged. The film’s cinematography, marked by its bold use of color and framing, accentuates the emotional and psychological intensity of the narrative. The visual style complements the story’s exploration of the human psyche, capturing the underlying tension and conflict that permeates the characters’ interactions.

One of the most compelling aspects of “Ma Mère” is its unflinching examination of taboo subjects. The film does not shy away from depicting explicit sexual content, using it as a tool to probe deeper into the characters’ motivations and the societal constraints they confront. The portrayal of these taboo elements serves to challenge viewers’ comfort zones and provoke thought about the nature of desire and the limits of societal norms.

Despite its artistic and thematic ambitions, “Ma Mère” has sparked debate and controversy, particularly regarding its explicit content and the moral questions it raises. Critics have both lauded and criticized the film for its bold approach to sensitive subjects. What begins as a seemingly ordinary family visit soon spirals into a profound exploration of the darker aspects of human nature. Regardless, of one’s personal take on the subject, Ma Mère is a provocative entry in contemporary french cinema.

Grand Jete is a similar theme German movie

The post My mother / Ma Mère appeared first on Classic TV and Movies.

James at 15 is a highschool drama of the 1970s

James at 15 proves that nostalgia can be a powerful force, transporting us back to simpler times when our biggest worries were our school crushes or our upcoming math test. “James at 15” is a charming television series that captures the essence of growing up in the 1970s, exploring the challenges and triumphs of adolescence with heartfelt honesty. Such a contrast from the provocative reality shows/ and social media clips of today, James at 15 captures the idealistic coming-of-age boomers enjoyed. From mutual respect and family values to opportunities to grow and express oneself as a contributing member of society,

Watch Blue Summer

The titular character, James Hunter (Lance Kerwin), is a 15-year-old boy navigating the tumultuous waters of puberty and high school. James’s journey is one of self-discovery, as he grapples with his emerging feelings towards girls, his desire for independence from his parents, and his search for his own identity. Throughout the season, James’s relationships with his family, friends, and teachers provide a rich tapestry of experiences that resonate with viewers of all ages. The show’s supporting cast is equally memorable, from James’ strong-willed sister, Susan (Melissa Levin), who herself is navigating teenage struggles to his budding romance with Debbie (Deborah Richter), a girl from his school who shares his love of literature. Their relationship unfolds with the innocence and awkwardness of first love with a refreshing honesty that sets “James at 15” apart from other teen dramas.

What truly makes “James at 15” stand out from other shows in its genre is its ability to transport viewers back to the 1970s without feeling like a caricature of the era. The show’s creators skillfully weave in period-appropriate details, from the clothing and hairstyles to the music and cultural references, creating a richly textured world that feels both familiar and nostalgic.

The show’s authenticity extends beyond its aesthetics, however. “James at 15” tackled relevant themes then, which remain so today, such as divorce, drug use, and the challenges of growing up in a rapidly changing world. By addressing these issues with sensitivity and nuance, the show creates a sense of universality that resonates with viewers of all generations. The show’s honest portrayal of adolescence and its exploration of universal themes struck a chord with viewers, earning it a Primetime Emmy Award nomination for Outstanding Drama Series.  The show’s enduring appeal lies in its ability to evoke the warmth and nostalgia of a bygone era, while still feeling relevant and relatable to modern audiences if only to see why traditional values are prized.

The post James at 15 appeared first on Classic TV and Movies.

Fame the series was an iconic show that aired from 1982 to 1987. It remains a cultural touchstone to this day. Set at the New York City High School for the Performing Arts.  Like the preceding film, Fame the series was shot mostly in California. The school which was made world renowned, through this film and series, actually closed in 1984. But New York’s most aspiring arts students were moved to a new facility. The new school includes visual arts studies now.  The show Fame follows the lives of talented young students striving to achieve their dreams in the competitive world of show business.

This soap will make women want you

 Fame the series celebrates passion, perseverance, and the pursuit of excellence in the arts.  It captured the optimism of youth prevalent in the 80s.  As well as the many trials and tribulations of those formative years approaching adulthood. The high-school politics and adolescent turmoil was set on a backdrop of  competitiveness and personal drive. But this was balanced with a loving environment of caring friends and teachers.  Accordingly its message is that no matter what our individual talents and/or failings, we all have something great to offer.  Also, that when faced with seeming impossibilities, it teaches that with the care and support of our friends, one will prevail. And finally what it means to be a true friend.

Watch the original Fame movie

Despite being a show based upon a small talented segment of society, “Fame the series” continues to resonate with audiences around the world.  After 3 decades, the hopeful, energetic attitudes of the cast and their dedicated pursuit of dreams continues to inspire.  Whether you’re a fan of music, dance, or drama, “Fame the series” is sure to leave an impression that will last a lifetime.  You’ll find all 6 seasons below.

Sanktor.com

All episodes are on auto-play for binge watching
Just hit play and it’ll do the rest for you

The post Fame the Series appeared first on Classic TV and Movies.

Fame was directed by Alan Parker, offers a vibrant and immersive exploration of the lives of students at New York City’s High School of Performing Arts. The film offers a glimpse of the trials and tribulations of a group of students negotiating not only adolescence but the added challenges of doing what it takes to make it in the entertainment industry. Overall, “Fame” is a timeless classic that continues to captivate audiences with its dynamic performances, infectious energy, and poignant storytelling.

At its core, “Fame” is a celebration of talent, ambition, and the pursuit of artistic excellence.  A passion that inspired the spin off TV series Fame which aired from 82 through to 87. The film’s ensemble cast delivers compelling performances, portraying characters from various backgrounds and disciplines. Some of these originally film cast characters were kept in the TV series.  Most notably teachers Miss Lydia Grant (dance), and the beloved Benjamin Shorofsky (music) played by Debbie Allen, and Albert Hague, along with dancer Gene Anthony Ray playing the unforgettable Leroy Johnson and musician/ composer Lee Curreri playing the lovable Bruno Martelli.

The film’s plot weaves together multiple story lines, providing insight into the personal struggles and triumphs of each character. Fame explores issues such as racial and socioeconomic inequality, the pressure to conform to societal expectations, and the importance of staying true to oneself in the face of adversity. The characters’ passion for their art form drives them to overcome obstacles and pursue their dreams relentlessly, inspiring viewers to embrace their own creativity and resilience. It is a tribute to individualism and the strength of cooperative collaborations. (Social problems are addressed without stifling group identity politics).

The movie Fame is set in the late 70s, so hair styles and fashions have changed dramatically, but the lively spirit continues to inspire. If you ever enjoyed the television series, this film gives a deeper background to the characters, from their auditions, to their mistakes (not suitable for prime-time TV).

You can also watch “The gods Must Be Crazy”

The post Fame the movie appeared first on Classic TV and Movies.

Butterfly, directed by Matt Cimber, is a drama set in rural America,  that delves into the complex and often taboo subject of sexuality. The film introduces audiences to Pia Zadora, in the title role. Her character, a seductive young woman, arrives in a small town seeking her estranged father, Jess Tyler, played by Stacy Keach.

As the narrative unfolds, it becomes evident that Butterfly’s intentions are not solely familial.  She enthusiastically engages in a provocative relationship with her father, pushing the boundaries of conventional morality within the community. Oscillating between moments of tension, passion, and introspection, the film Butterfly underscores the destructive potential of repressed desires and societal taboos.

Watch homemade shocking adult porn videos

Butterfly’s uninhibited demeanor and challenge of societal norms make her a quintessential representation of the era’s evolving sexual landscape. However, it is essential to note that the film also portrays Butterfly’s sexuality as a source of controversy and conflict, highlighting the underlying tensions and anxieties that accompanied the era’s changing morals.

Conversely, Jess Tyler’s character  embodies the conservative attitudes which sought to uphold traditional notions of sexuality and morality. His internal struggle between desire and societal expectation, underscored a conflict that resonated with many during the era. This conservative attitude is shared by his community who represent the moral consequence of succumbing to his temptations.

Enjoy some 1970s nostalgia

In contrast to the era’s dominant attitudes towards sexuality, the film “Butterfly” offers a nuanced portrayal that neither wholly condemns nor glorifies the characters’ actions and desires. This film is particularly meaningful given that it’s subject remains taboo today, while all other sexual liberties are promoted on the cultural level, even in schools.  As such, the film invites viewers to engage in a critical dialogue about the complexities of human sexuality and the societal constructs that seek to regulate and define it.

The post Butterfly appeared first on Classic TV and Movies.

Exploits of a Young Don Juan is based on the french novella by Guillaume Apollinaire. The Franco-Italian collaborative film was directed by Gianfranco Mingozzi.  A period drama-comedy set around WW1, the movie follows the coming-of-age journey of Roger (Fabrice Josso), an adolescent sent to live with his aunt and uncle in the French countryside. As he struggles with his raging hormones, Roger explores his awakened desires at every possible opportunity.

Tales of the golden monkey

The central theme is Roger’s sexual appetite. He finds himself the only male of considerable age, surrounded by buxom women. Lonely women, whose men are off fighting in the war.  The complexities of Roger’s situation are exasperated with his attraction to his Aunt. Set against the idyllic countryside, Roger’s inner turmoil is thusly juxtaposed.

The film “Exploits of a Young Don Juan” is alternatively titled “What every Frenchwoman Wants”.  But the actress who graced the movie posters was none other than Italian pin-up favorite Serena Grandi. The Italian title translates into “the initiation”, which seems to be a multifaceted catch-phrase for Roger’s journey into adulthood, especially considering 3 of his lovers become pregnant. But whatever you call it, this movie encapsulates the coming of age fantasies of every hot-blooded, heterosexual male.  (Not to be confused with modern-day woke propaganda, nor appreciated by it’s adherents).

Erotica a little harder

Themes of desire, innocence, and the societal norms of the 20th century that shaped our understanding of sexuality are all touched upon in “Exploits of a Young Don Juan”.  The film uses actors that are over 18, but it isn’t afraid to explore the realities of adolescent desires and virility.  This raw exposure of human sexuality, is beautiful yet brings to mind the old adage, “All is fair in love and war”; thereby inviting reflection and discussion.

The post Exploits of a Young Don Juan appeared first on Classic TV and Movies.

Spanking the money is a 1994 film turns family drama on it’s head. redefining the relationship between a parent and their offspring.  The film’s title itself is a euphemism for masturbation, when one takes “matters into their own hands”.  However, the main character Raymond, feels increasingly that his fate is out of his hands.  Raymond (Jeremy Davies) has plans for a summer internship when his father makes him care for his bedridden mother instead. Susan (Alberta Watson), isn’t physically unwell, but she has limited mobility because of a broken leg. As Susan becomes increasingly dependent on Raymond, their relationship takes a disturbing turn, leading to a taboo romantic connection between mother and son.

Exploring sexual awakening in the context of an inappropriate relationship “Spanking the Monkey” attempts to address the conflictual nature of the Oedipus complex.  Raymond is resentful of his familial situation, especially since it has disrupted hard earned advances on his career path. He finds himself struggling to relate to his peers and is sexually awkward with his attractive neighbor.  Regardless, his sexual frustration, begins drive him into the arms of his mother, who is ever present in his daily activities. This exploration of a taboo subject forces the audience to question the boundaries of acceptable human behavior and challenges us to consider how circumstances can push individuals to do things normally reprehensible.

One could argue that director David O. Russell’s willingness to tackle such prohibited subjects is a daring artistic choice, especially for his first feature film. The forbidden change in nature of the principle mother -son relationship,  is not the only dark theme.  Raymond’s narcissistic parents manipulate him for their own comforts, though-out the movie. He is driven  to near suicide, as he increasingly loses control, over the direction his life is taking. So this is also a film about toxic relationships, how commitment with the wrong priorities can undo the best laid plans, robbing a person of years of hard-work.

Some believe that the explicit and provocative nature of the content is purely to titillate the audience. But I believe that it only strengthens the metaphor for this coming of age film. As Raymond’s individual identity and purpose is being smothered to death, by his position as dutiful son.  Lost opportunities, broken promises, the role reversal from child to caregiver, then from offspring to independent individual. “Spanking the Monkey” is one young man’s disturbing journey to learn how to “take matters into his own hands” and become the independent adult he was meant to be.

Watch the Cement Garden

The post Spanking the monkey appeared first on Classic TV and Movies.

The Cement Garden was based on Ian McEwan’s novel of the same name. It’s a bizarre film almost surreal. The story revolves around a family with 4 children, and the tragedies they endure. Like the backyard “garden” cemented in, the dysfunctional family struggles in its development.  Tragedies orphan the 4 siblings and they struggle to deal with things in each his own way.

Watch Le Grand Jete

The film is focused on the eldest boy Jack, who at 15 feels guilty for his father’s heart attack.  He was supposed to be helping him re-cement the backyard, the Cement Garden. But he had snuck away to masturbate. In fact, this is largely a coming of age film for Jack (Andrew Robertson), who goes from a narcissistic masturbator to the male head of his household in a few short months. The shared responsibilities, and lack of adult supervision, turn his hormonal tendencies into an unhealthy obsession for his 17 year old sister Julie (Charlotte Gainsbourg).

Get laid with Pheromone Infused Soap

The tension between the elder pair of siblings is typical at first. As when their mother takes ill, Julie finds herself strapped down with the full responsibilities of a housewife. Their mother prepares for a long hospital stay and warns Jack that he must help his sister keep her absence secret as the authorities would put his younger siblings, maybe him too, into protective services and take the family home. When she dies before treatment, Jack and Julie hide her body in the basement, encased in the leftover cement meant for the Cement Garden.

The youngest brother Tom is only a first grader. He misses his mother so much that be begins a psychological spiral. This spiral starts with bullying, continues with cross-dressing and role playing and ends with him adopting infantile behaviors. This pseudo-sexuality is rarely seen or captured in such a young actor. But the Cement Garden is not your typical film. Tom was played by the director, Andrew Birkin’s own son Ned. And the family affair doesn’t end there, as the female lead, Charlotte Gainsbourg is the director’s niece.

This adult site will rock your world

The post The Cement Garden appeared first on Classic TV and Movies.