AirWolf — the 1984 series pilot that’s part Top Gun, part James Bond, and part ‘What if a helicopter had a midlife crisis and joined the CIA?”

Say, kids! Ever seen one of those newfangled ‘television’ contraptions? Well, hold onto your 420 gummies, because I just had a real gone vision of the future called ‘Airwolf’ — The helicopter version of a swiss-army knife. Fully loaded with nuclear weapons.

The Scoop:

It’s Top Gun meets James Bond, but with more Pacman nostalgia than a Gen X’r lost in a mall! This jet-helicopter named AirWolf is hotter than a two-dollar pistol, stolen by foreign agents (not our foreigners, the other foreigners—you know the ones who climb walls!). Our hero, Stringfellow Hawke (played by Jan-Micheal Vincent, a fellow who looks like Henry Cavill after a three-day bender), has to get it back while brooding handsomely and avoiding sex.

The Action?

Daddy-o, this whirlybird does loop-de-loops that’d make the pilot of MH370 toss his cookies! It zooms through canyons, shoots commies (probably just college students), and makes noises like a broken CD player full of firecrackers!  AirWolf stocks his prey in zero visibility, with electronic gadgets and escapes missiles with super sonic speed.

The Cast?

Ernest Borgnine (you know him from Escape from New York) plays a lovable old coot who wears shirts louder than a Bowery bum —imagine JD Vance as a New York bus mechanic! And the villain is played by Alex Cord.  He’s a cold fish in a white suit, not cowboy white as if he’s really the good-guy. It’s reminiscent of a lab-coat, a would-be mad-scientist who has no moral code, and is aiming for world domination.

The Verdict?

It’s the cat’s pajamas!  A high-flying hoot with more gadgets than a Dollar Store dumpster! Not exactly ‘The Wolf of Wall Street’, but who wants that when you can watch a flying gas tank turn reds into red mist?

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These are the Days hit the world of animated television in 1974.  This cartoon series offered a unique perspective on contemporary social issues. Although the series was short-lived, airing only one season, its combination of humor, social commentary, and political undertones made it a noteworthy experiment in the animation industry. These Are the Days presented a vision of everyday life during a time of significant social change, particularly in the United States. This essay explores the themes, reception, and cultural significance of These Are the Days, situating it within the broader context of the 1970s and its place in the history of animated television.

Enjoy some Tom and Jerry

The series’ title, These Are the Days, alluded to a nostalgic reflection on contemporary life, suggesting both a celebration and critique of the cultural moments defining the era.The show presented characters who were often caught between traditional values and the evolving ideals of the 1970s. The family structure was a key aspect of the series, and its portrayal mirrored both the positive and negative aspects of suburban life. The series also tackled issues of individualism and conformity, questioning the expectations placed on individuals by society while exploring the tension between personal desires and societal pressures.

In addition to social issues, the series incorporated humor that drew from the political climate of the era. This humor was not only political in its satire but also in its representation of the absurdities of everyday life. Characters dealt with the economic anxieties of the time or were confronted by cultural shifts that  challenged traditional values..

In retrospect, These Are the Days can be seen as part of this transitional phase, experimenting with the medium in ways that were not yet fully understood by either the industry or the audience. The tone of the show was too ahead of its time for mainstream audiences. While animated shows for children had already achieved success, adult animated series were still a relatively new concept, and viewers may not have been ready to embrace a cartoon that both entertained and provided serious cultural critique. When you compare it to South Park, our modern equivalent, it is shocking how much society has lost and how immature adults are in comparison to our grandparents, and great-grandparents generations.

Its brief existence serves as a reminder of how television can reflect and engage with the world around it, and how even the most short-lived shows can influence future generations of creators. These Are the Days was an important stepping stone in the evolution of adult-themed animated series. Its experimentation with satire, its portrayal of everyday life, and its attempt to tackle contemporary social issues would lay the groundwork for later animated series that would push the boundaries of what animated television could achieve.

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Open All Night, a short-lived but beloved television series, on ABC. The show blends elements of workplace comedy with quirky character dynamics, offering a snapshot of life in a small convenience store. The series introduces Bubba Smith, the retired NFLer in his first regular comedic acting role. Personally, watching the first episode, I think Bubba’s dominating presence saves the show from boring and trite mediocrity.

The Premise

Set primarily inside a small, independently owned convenience store, Open All Night revolves around the lives of its eccentric staff and customers. The store is, as the title suggests, open 24 hours a day, is in the “bad area of town” and has been subject to burglaries.

The store is owned by a hopeful middle-aged man named Gordon, played by the talented actor George Dzundza. Gordon is the heart and soul of the store, desperate to balance his family life with his professional responsibilities. The first episode had the store owner working all night because he needs a new night clerk. His wife, whines that she wants him in bed, and keeps trying to give her irresponsible teen-aged son, the job of night clerk.

Open All Night plays with situational comedy in a way that makes the store itself almost a character in the show. The fact that it’s open 24 hours creates a never-ending series of events. The nighttime setting enhances the bizarre quality of the situations. Dealing with sleep-deprived customers and navigating the unusual interactions that arise when people venture out in the middle of the night. The show captures the oddball nature of the nighttime world.

Although Open All Night was short-lived—lasting just 13 episodes—its influence on television comedy remains significant. It paved the way for a new era of sitcoms that blended absurdity with grounded character relationships. It also probably catapulted Bubba Smith as an actor, leading to his part as High-tower in the Police Academy movies.

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The Winds of Kitty Hawk, a 1978 made-for-television movie, serves as a poignant and historical dramatization of one of the most significant events in the history of human flight: the Wright brothers’ first successful powered flight at Kitty Hawk, North Carolina, in 1903. Directed by Michael O’Herlihy, with a narrative that blends historical accuracy with cinematic drama, The Winds of Kitty Hawk stands as a tribute to the ingenuity, determination, and spirit of innovation that led to one of humanity’s greatest achievements.

The era of this movie was one in which few believed it would be possible to fly like birds.   The Wright brothers’ innovation in aerodynamics, control, and propulsion was unmatched even by renown scientist that had government sponsorship.  Kitty Hawk, North Carolina, was chosen as the site for the brothers’ experiments due to its strong winds, isolation, and soft sand, which made it a perfect location for their trial and error-based work.

Orville and Wilbur Wright, were self-taught engineers or inventors of their time. They relied on their backgrounds as bicycle mechanics. The Winds of Kitty Hawk captures their hands-on experimentation, showcasing the brothers as ordinary men who, through sheer determination, ingenuity, and tireless work, brought the dream of flight to fruition.

The plot of The Winds of Kitty Hawk focuses on the emotional and professional journey of the Wright brothers as they pursue their dream of flying. The film begins by exploring the early years of Orville and Wilbur, highlighting their close relationship as brothers and their shared passion for mechanical innovation. The early stages of the film emphasize their obsession with flight, often portraying their solitary existence in Kitty Hawk as they worked tirelessly on their experiments.

As the movie progresses, the narrative delves deeper into the technical challenges the brothers faced, as well as the personal sacrifices they made. The brothers’ work in Kitty Hawk was fraught with failure, but their perseverance never wavered. Scenes in the film show the brothers building and testing multiple prototypes, each one more refined than the last. At the heart of these sequences is the palpable tension between hope and despair, as the brothers’ success seemed always just out of reach. The film’s portrayal of this struggle resonates deeply with viewers, emphasizing the theme that innovation often comes at the cost of failure and setbacks.

One of the key moments in the film is the first successful powered flight on December 17, 1903. The film dramatizes this historic moment with a sense of triumph, showing Orville’s first flight in the Flyer, lasting just 12 seconds but achieving a distance of 120 feet. The achievement was brief but revolutionary, marking the birth of modern aviation.

One of the central themes of The Winds of Kitty Hawk is the triumph of human ingenuity over adversity. The film underscores the Wright brothers’ commitment to their dream, even in the face of personal doubts and setbacks. This determination is not portrayed as a simple, linear path to success but as a series of missteps, learning experiences, and small victories. It highlights the importance of persistence in the pursuit of one’s goals and the belief that failure is merely a steppingstone toward success. The movie honors the legacy of Orville and Wilbur Wright and serves as an inspiration to all who dare to dream.

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Thundarr the Barbarian debuted in 1980. Set in a future where civilization has crumbled, *Thundarr the Barbarian* follows the adventures of Thundarr, who battles evil forces alongside his companions: Princess Ariel, a sorceress, and Ookla the Mok, a half-human, half-animal warrior. The cartoon is set 2,000 years after a cataclysm known as “The Great Disaster,” which leaves Earth in ruins. The planet is now a place where technology and magic coexist, often in violent conflict.

Watch Prince Planet – an even older classic cartoon

Thundarr, the main character, is a muscular and fearless warrior who wields a powerful sword capable of incredible feats. He is often portrayed as a typical barbarian hero, fighting to defend the weak and uphold justice. He is also a natural leader. Alongside him, Princess Ariel uses her magic to protect the group and intelligence to make a plan of action. While Ookla, a creature of great strength, with a yeti look and stature, has a canine like loyalty and fearlessness. Together they travel across the dangerous landscape, battling tyrants, monsters, and dark forces that seek to dominate the world.

Despite the chaotic world in which they live, the trio embodies strong moral values. Each episode presents a new adventure where Thundarr and his companions stand up for the oppressed, fight against cruelty, and teach viewers the importance of honor and bravery. What’s more, they offered help freely, accepting gratitude, but never looking for payment. Relying on their own skills and ingenuity to survive, they were quick to offer help to anyone who happened to cross their path. The show captivated children’s imaginations with its combination of futuristic technology and ancient sorcery.

For children in the 1980s, *Thundarr the Barbarian* presented a world that, while violent and chaotic, also contained messages of hope, bravery, and justice. Thundarr, as the heroic lead, was someone children could look up to—a strong, dependable figure who never hesitated to help, and never gave up, no matter the odds. His courage in the face of evil and his willingness to protect the helpless resonated deeply with young viewers, who often saw him as a symbol of empowerment.

For many, *Thundarr* was a gateway to exploring themes of survival and resilience. In a world where many 1980s cartoons were set in fantastical or exaggerated environments, *Thundarr* stood out for its post-apocalyptic setting, which was both thrilling and unsettling. The devastation that marked Earth in the series mirrored fears of environmental degradation and nuclear war. In a time when many felt the looming threat of global tensions, Children, who often felt powerless in their own lives, could watch Thundarr and his friends take control of their world. In a time when many felt the looming threat of global tensions, the idea that heroes could rise from the ashes of a destroyed world provided a sense of hope.

The show’s emotional impact wasn’t just about action and adventure. It also offered important moral lessons. Princess Ariel’s intelligence and magic, combined with Thundarr’s brute strength, showed children the value of cooperation and balance. Ookla’s loyalty and courage, despite his monstrous appearance, taught kids not to judge others based on looks. These diverse characters formed a team that represented different aspects of humanity, reinforcing the importance of unity and understanding.

Series 2

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The Wizard, a television series that aired from 1986 to 1987, captivated audiences with its unique blend of fantasy, adventure, and heartfelt storytelling. The show featured the diminutive David Rappaport was made especially for children, but had enough of a story that the entire family could enjoy it together. Although it only lasted for one season, “The Wizard” left a lasting impression, particularly on its young viewers.

Pheromone Soap for Men

At the heart of “The Wizard” is the character of Simon McKay, portrayed by the talented David Rappaport. Simon is a charismatic scientist who used to work for the government. He makes his living by using his creative talents to make amazing toys, which the neighborhood kids adore. The government has assigned an agent named Alex, played by Doug Barr, to protect Tony and make sure that foreign forces can’t utilize his intellectual talents.

Each episode typically presents a new challenge or dilemma, allowing Simon to showcase his sharp intellect while imparting valuable life lessons. Simon is not a wizard of magic but of science. He invents gadgets that often save the day in the most creative of ways.  The wizard ‘s creative storytelling has highlighted themes of friendship, bravery, and the importance of believing in oneself. Through each episode, viewers were treated to a mix of humor, excitement, and moral teachings, making it a wholesome viewing experience for families.

More fun with Project UFO

“The Wizard” was not devoid of real-world issues. The show tackled themes such as bullying, self-esteem, and the importance of community. In one memorable episode, Simon helps a young girl overcome her fear of performing in front of her classmates, illustrating the power of support and encouragement. These relatable storylines contributed to the show’s appeal, as viewers could see reflections of their own struggles and triumphs in the characters’ journeys.

Visually, “The Wizard” series made effective use of practical effects and clever camera work to create magical moments that felt genuine and engaging. This attention to detail helped to elevate the show, making each episode a delightful experience.

Despite its short run, “The Wizard” achieved a devoted fanbase. The show’s emphasis on positive values and the power of friendship resonated deeply during a time when television was beginning to explore more complex narratives. While it may not have garnered the same level of acclaim as some contemporaneous shows, its charm and warmth continue to be remembered fondly by those who grew up watching it.

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Ashes to Ashes is the sequel to the critically acclaimed series “Life on Mars“. Returning to “Gene Hunt’s” world, this time the viewer visits 80s London. Blending elements of science fiction, and crime drama, the series explores themes of memory, trauma, and the blurred lines between reality and fantasy. Like it’s predecessor, all while paying homage to the iconic culture and music of the era.

The premise of the series revolves around Detective Inspector Alex Drake (played by Keeley Hawes), a criminal psychologist from 2008. In the first episode, she is shot during a police investigation, and instead of dying, she wakes up in 1981 London. Much like Sam Tyler, the protagonist of “Life on Mars,” Alex believes she is in a coma and that her experience in the 1980s is a product of her unconscious mind. Her primary goal is to find a way back to her own time, while also trying to unravel the mystery of why she has been sent to this specific moment in history.

Upon waking in 1981, Alex finds herself working at the Fenchurch East police station, where she is teamed up with DCI Gene Hunt (Philip Glenister), a brash, no-nonsense detective who embodies a rough-and-tumble approach to policing that was emblematic of the era. Gene is joined by fellow “Life on Mars” characters, DS Ray Carling (Dean Andrews) and DC Chris Skelton (Marshall Lancaster),  who mature considerably through this series.  Hunt’s methods often clash with Alex’s modern sensibilities, creating tension but also a compelling dynamic between the two characters.

The 1980s backdrop allows “Ashes to Ashes” to explore the social and political climate of the time, including issues like police corruption, the rise of Thatcherism, and the changing role of women in the workplace. The show also features a killer soundtrack, while the club scene is explored, as well as the crazy makeup of the era. Including hits from David Bowie, Duran Duran, and The Clash it’s a musical time capsule for viewers.

The show must be watched after the original series “Life on Mars” and to it’s conclusion. It culminates in a third and final season, which ties together many of the mysteries that have been building since the first series. The ending is both surprising and thought-provoking, offering a satisfying conclusion to the overarching narrative.  Not to be missed, but also not to be rushed. The conclusion is powerful because of the character development across the two series.

A remarkable expansion on the original series’ themes with its own identity. Its mix of nostalgia, psychological drama, and crime procedural elements make it a unique and compelling show. Whether you’re a fan of 1980s pop culture or drawn to complex, character-driven stories, “Ashes to Ashes” offers something for a broad range of viewers. Through its innovative storytelling and memorable characters, it stands as one of the BBC’s finest dramas.

 Life on Mars was also made into a Korean Drama

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Korean Life on Mars is the South Korean remake of popular British series by the same name.   It’s a television drama that blends elements of science fiction, crime, and psychological thriller genres. Directed by Lee Jung-hyo, it aired on OCN and became notable for its gripping narrative, strong performances, and the seamless way it wove together the elements of a crime procedural with time travel.

The story follows Han Tae-joo (played by Jung Kyung-ho), a modern-day detective with an analytical mind. He relies heavily on evidence and logical reasoning in his investigations. While chasing down a serial killer, he is involved in a mysterious accident. Tae-joo wakes up to find himself transported back to the year 1988, a time when the methods of crime-solving lacked the forensic precision he was accustomed to.

In 1988, Tae-joo is thrust into a world where technology is primitive, and the rules of policing are vastly different. He joins a police force led by the rough-and-ready Kang Dong-chul (played by Park Sung-woong), who relies more on gut instinct and old-school methods. The team also includes the righteous Yoon Na-young (played by Go Ah-sung), and the rookie Lee Yong-gi (played by Oh Dae-hwan). Together, they navigate the criminal underworld of the late 1980s, while Tae-joo struggles to find a way back to his time.

Korea Life on Mars stands out as a successful adaptation of the original British series, while adding its own unique flair through cultural and historical nuances specific to South Korea in the late 1980s. Set in the year of the Olympics. The drama does an excellent job of capturing the retro aesthetic of the era, from the fashion and vehicles to the police procedural methods, giving the show a distinct nostalgic charm. And while the story lines run parallel to the original series, they have their own unique twist. Characters are slightly different too, unique in both personality and from a cultural perspective to the BBC production.

The show also excels in its pacing and plot development. Each episode presents a new case for the team to solve, but the overarching mystery of Tae-joo’s predicament is carefully unraveled throughout the series. This balance between episodic storytelling and serialized narrative keeps the audience engaged, eager to discover the truth behind Tae-joo’s time travel.

The production of Korea Life on Mars involved meticulous attention to detail to accurately recreate the late 1980s. The props, sets, and costumes were all designed to reflect the era, providing a rich and immersive experience for the audience. The cast reportedly underwent extensive preparation to embody the attitudes and behaviors of the time, with particular focus on the differences in police work between 1988 and 2018.

Korean Life on mars continues

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Ultraman a pioneering Japanese television series, originally aired from 1966 to 1967. Created by Eiji Tsuburaya, the series marks the beginning of what would become the most spin-off producing franchise ever. Ultraman follows the adventures of an extraterrestrial superhero, an Ultra, who defends Earth from giant monsters and alien threats.

Enjoy watching Prince Planet

The series begins with the arrival of a mysterious alien, Ultraman, who comes to Earth to assist the Science Patrol, a special team tasked with protecting humanity from giant kaiju (monsters).  But for all his strength, Ultraman’s power is limited by Earth’s environmental factors, draining quickly and needing recharge. Ultraman saves one of the science patrol, Shin Hayata, from a near fatal accident, fusing with him and remaining dorment until his extrodinary strength is needed to push back the impending alien / monster threats.

The show’s plot revolves around these battles against various monsters, who each pose a unique threat to humanity. When danger arises, Ultraman emerges from Hayata’s body and uses his incredible size, strength, and special abilities to combat these threats. His main weapon is the Specium Ray, which can defeat even the most formidable monsters. The transformation from Hayata to Ultraman is a key dramatic element of the series, showcasing a blend of action and character development.

The series special – effects, while cheesy by today’s standards, were ground breaking in the 60s. The costume for Ultraman changed after the first 13 episodes, then again for the 30th episode. Each episode was a combination of action, drama, with a morality tale. The concluding message of courage, teamwork, and the importance of protecting the environment may be in part reason for the longevity of the Ultraman franchise. While the show’s special effects and monster designs might seem dated by modern standards, they hold a nostalgic charm and remain influential in the genre.

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Amerika, the mini series was created during the Cold War. Back when the USA was run by Republicans and the enemy was the communist Soviet Union.  Given the real life fast pace of living in America and keeping up with the Jones, it is no wonder that most people found the slow pace of the mini series too boring to sit through. Maybe in the era of binge watching programs Amerika will find it’s true audience, and the message of the communist victory without casualties will be a wake up call. Otherwise we might be in for a modern day version of Donald Wrye’s dystopian future.

The series unfolds in an alternate reality, in which the Soviet Union never collapsed. Worse, after a successful economic war and propaganda campaign, it is given control over the administration of the United States by the UNited Nations.  The story centers on the lives of American citizens under Soviet rule. The themes of resistance, collaboration, and the erosion of democratic freedoms are key to the narrative. At the heart of the story is the struggle of a Nebraska family, particularly that of Marion (played by Kris Kristofferson), a farmer who becomes a reluctant collaborator, and his daughter, Jackie (portrayed by Mariel Hemingway), who joins the underground resistance movement.

TV Mini Series – Rich Man Poor Man

The reception of *Amerika* was complex and varied and complex. On one hand, it garnered strong viewership numbers, drawing millions of viewers each night during its broadcast. The series sparked heated discussions across the United States, with some praising its thought-provoking premise and others criticizing it for potentially stoking fear and paranoia about Soviet intentions.  One reviewer balked that the loss of running water was unrealistic, but as we look around today at the consequences of failing infrastructures and their widespread destructive consequences. It isn’t difficult to speculate that some areas could indeed easily be without a reliable water source. Hell, we even have laws against collecting rain water, what’s to stop the powers that be from simply shutting off the mains?

The controversy of Amerika was in no small part due to the reality of the military might of the USA in the eighties. As evidenced by the eventual collapse of the Soviet Union. To be pertinent today, we should simplify the threat as the US, falling to communism. The US of today is a far cry from the US of yesterday. Both our educational institutes and military organizations appear to be more obsessed with gender politics than producing the brightest and strongest on the world stage. So maybe we are already in a dystopian reality and this mini-series needs to be watched for it’s message in political resilience.

*Amerika* stands as a testament to the power of television to provoke thought and discussion about complex political and social issues. The series does elude to the us versus them reality of communist rule.  While everyone now seems to fear “threats to democracy”, they simultaneously overlook the divisionary effect this has on the populace. How their hatred takes attention away from the elites who are actually orchestrating the mistrust.   The series challenges viewers to confront their fears and beliefs about democracy, freedom, and the global balance of power. Whether viewed as a cautionary tale or a speculative fiction, *Amerika* remains a compelling exploration of what might have been, offering insights into both the past and the present-day concerns about authoritarianism and political resilience.

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